11 Songs, 52 Minutes


Ratings and Reviews

4.4 out of 5

97 Ratings

97 Ratings

I don't understand...


...how every review from a "critic" seems to accuse this album of being "half-finished" or unfocused when in fact it is (still) a very versatile and refreshing piece of work from a very under-appreciated band. I bought this album when it first came out 10-plus years ago and I STILL listen to it to this day. I happen to enjoy how every song doesn't sound like the one before (Angels & Airwaves...I love you but you're guilty of this...) and I'm not the only person I know who feels this way. If you don't own this album and you appreciate music at its fundamental level (expression without trying to fit into a mold) YOU SHOULD BUY THIS ALBUM. The 30-second samples on here don't do the album justice and like all great works of music the best pieces weren't big-hit singles (I personally love Neenah Menasha and Fields). Buy it; you will NOT be disappointed.

13 Years Later . . .


This is still *fun* to listen to. I was never a raging STP fan, so I was never distracted from the music by the critic's call to look down my nose at this album as a "STP ripoff." Personally, I find the stuff here lively, loud, and sometimes ferocious, and it's still a favorite after all this time.


The OC Rock Review

This cd is a classic and all the songs are really good.
And they are not some kind of STP rip off band they are way to
talented to be labeled like that.

About Sponge

Sponge was one of the more underrated groups in the post-grunge boom of the mid-'90s. When they were on top of their game -- as evidenced by the hits "Plowed" and "Molly (Sixteen Candles)" -- the band's songs had a knack for jangly riffs and catchy, anthemic hard rock hooks, despite being wrapped in the fuzzy guitars and brooding seriousness that typified grunge music. Sponge grew out of a Detroit-based hard rock act called Loudhouse, which released an album on the Virgin label in 1988 before losing its record contract and disbanding shortly thereafter. Drummer-turned-vocalist Vinnie Dombrowski (born Mark Dombrowski) and guitarists Mike Cross and Joey Mazzola regrouped as Sponge in 1992, adding Mike's brother Tim Cross on bass and Jimmy Paluzzi on drums. Adapting their '70s hard rock influences to fit the grunge zeitgeist, the bandmates earned a major-label deal with Columbia and released their debut album, Rotting Pinata, in late 1994.

Initially, critics compared Sponge unfavorably to Stone Temple Pilots, but alternative radio embraced the band's first two singles: the driving rocker "Plowed" and the jangly, introspective "Molly (Sixteen Candles)." A third single, "Rainin'," also earned airplay, and Rotting Pinata went gold; meanwhile, Sponge went on tour as Live's opening act. With new drummer Charlie Grover in tow, their 1996 follow-up album, Wax Ecstatic, was a more diverse affair, rediscovering some of the band's roots in arena rock, British glam, and jangle pop. Even though singles like "Wax Ecstatic (To Sell Angelina)," "I Am Anastasia," and "Have You Seen Mary" enjoyed some degree of radio airplay, Columbia was dissatisfied with the sales figures and dropped Sponge once the album left the charts.

Undaunted, Sponge signed a new deal with the Beyond label, which released the more classicist New Pop Sunday in 1999. It attracted little commercial attention, and more personnel shifts ensued. Tired of touring, the Cross brothers both left and were replaced by guitarist Kurt Marschke and bassist Tim Krukowski; Billy Adams also came on board as the new drummer. After several years of recharging -- during which time Dombrowski played in several Detroit-area side projects -- Sponge returned with For All the Drugs in the World in 2003 and Man in 2005. Dombrowski reworked the lineup once again, this time adding guitarists Kyle Neely and Andy Patalan, before returning again to the studio in 2007 to record Galore Galore for Bellum Records.

Two year later, there was another lineup shift -- Tim Patalan became the group's bassist -- and they released an EP called Destroy the Boy. A full-length called Stop the Bleeding arrived four years later; the LP contained all of the 2009 EP plus new songs. ~ Steve Huey

    Detroit, MI




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