On Pretty World (2007), Sam Baker takes a lonesome walk through the outer edges of the American Southwest straight into a spiritual Dust Bowl. There’s a bone-deep stoicism to these songs, reinforced by the hushed intensity of Baker’s half-spoken, half-sung vocals. Haunting narratives like “Juarez,” ”Slots” and “Boxes” are suggestive of vintage John Prine or Guy Clark. The stories Baker tells are often uncomfortably real — the brooding menace of “Broken Fingers” and the unfolding tragedy of “Odessa” are keen studies of human nature. These dark moments make the album’s more hopeful expressions — especially the title track — all the more telling. Quotes from traditional songs and gospel standards add resonance to tracks like “Orphan.” The album’s stripped-down, scuffed-up country/folk arrangements complement the introspective mood of the tunes. Lloyd Maines’ desolate pedal steel lines and Maria Ramirez’s bittersweet background vocals stand out among the fine ensemble playing. Though unsparing in his vision, Baker’s honesty is ultimately inspiring.