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Nevada Fighter

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Album Review

Nevada Fighter kicks off with the witty and loose-limbed "The Grand Ennui," and for a moment it sounds like the album will pick up where Michael Nesmith's previous album with the First National Band, Loose Salute, left off. But before long, the album shifts gears, and it becomes obvious that Nesmith had something different in mind this time. Except for the rollicking side-closer, "Nevada Fighter," most of the material on side one suggests the more introspective moments of Magnetic South but without the same balance of charm and dry humor that made that album so appealing (though "Propinquity (I've Just Begun to Care)" is a fine love song that's a good bit more approachable than its title would lead you to expect). Side two is turned over to material by other songwriters, and while this shifts the album's lyrical tone rather dramatically, Nesmith reveals himself to be a fine interpretive vocalist, and "Texas Morning" and "The Rainmaker" are splendid songs that would merit anyone's attention. The First National Band were also augmented by a number of session musicians on Nevada Fighter (including James Burton and Ronn Tutt from Elvis Presley's band), and the arrangements have a decidedly different flavor than on Nesmith's previous two albums, especially in the second half (though Red Rhodes' pedal steel is predictably splendid throughout). Nevada Fighter is a fine album, but it's also the weakest of the three Nesmith would cut with the First National Band, and it's not hard to imagine that Nesmith was starting to look for new pastures while he was recording this set.

Customer Reviews

This was way better than alot of people gave credit.

Out of the original trilogy, Magnetic South, Loose Salute and Neveda Fighter....this one was considered to be a decline. Why it is thought of in this way is beyond me, to some extents i feel it is better than the other two. The only difference i can really tell is the songs on NF are not as in your face country rock....the songs on this album are beautiful on an instrumental and vocal level. My favorites are Propinquity, Here I Am, Only Bound, Texas Morning, I looked away. Maybe it is because Mike does a few cover versions that this is considered to be the weakest, but honestly it has more replay value for me than the other 3. As a whole this album leaves you feeling complete and takes you on a musical journey that each person experiences differently.

Really 2 1/2

stars, maybe a 3. Not quite Loose or Magnetic, Nevada does have some good stuff - and Nez and Red, of course - but you can almost sense the electron drift. I felt Nez was ready to evolve ... again.

Very good record

This is one of my favorite Nez albums - I really enjoy nearly every song on it, there really aren't any weak points. His cover of Texas Morning is especially good.


Born: December 30, 1942 in Houston, TX

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

The comparatively level-headed member of '60s teen sensation the Monkees, Michael Nesmith was the most proficient instrumentalist in the group and wrote their best in-house songs, rootsy pop numbers like "Papa Gene's Blues," "You Told Me," "You Just May Be the One," and "Tapioca Tundra." In fact, he had written many songs before even joining the group, and one of his compositions, "Different Drum," was a hit for Linda Ronstadt and the Stone Poneys in 1968. After he left the Monkees one year later,...
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