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Copia

Eluvium

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Album Review

Eluvium (aka Matthew Cooper) musically moves off in a dramatic new direction on Copia, his fourth album. Having already eschewed guitars, Cooper now leaves behind the heavily electronic feel of his previous set, Talk Amongst the Trees, plumping instead for an orchestral sound and majestic air that permeate this entire set. "Amreik" opens the album like the dawn, a gloriously symphonic piece lit by brass, which delicately colors the brightening sky until the sun bursts over the horizon. The next two tracks, although separate pieces, seem like continuations of the first, both filled with introspective atmospheres and stately qualities. All three are mesmerizing in effect, as moods shimmer and gently shift, and the symphonic music sweeps across the grooves and washes over the listener. The haunting piano piece "Prelude for Time Feelers" finally breaks the spell, along with its brighter companion "Radio Ballet," a classical piece that indeed conjures up barre exercises. This pair is broken up by "Requiem on Frankfort Ave.," a subtle and sublime work that itself is an exercise in coalescing atmospheres. After the brief experimental "(Intermission)," the gliding strings enter in force for "After Nature," with attention now shifting back to the piano for the opening of "Reciting the Airships," a moody, almost yearning piece filled with swelling strings and synth. On "Ostinato" they billow out in cathedral-like cadences, only to disappear into the pouring rain of "Hymn #1." The album ends with the regal "Repose in Blue," with a blaze of fireworks announcing the ascension of a new ruler or perhaps another glorious dawn, thus bringing the set full circle. A magnificent set, awash in textures, atmospheres, moods, and emotion.

Customer Reviews

Excellent

This album is very relaxing and pretty, and makes a good foil for the metal i usually listen to. It requires some patience to listen to but is entirely worth it. Ideal for getting work done.

Yowza

I have never come across music that puts me to sleep faster than this album.
Extreme awesomeness.

Sublime

Sublime instrumental music, melding elements of rock, electronics, shoegaze, and ambient, with even some classical influence. The results are understated and beautiful.

Biography

Genre: Alternative

Years Active: '00s, '10s

Portland, Oregon resident Matthew Cooper records under the alias Eluvium. His ambient washes and symphonic guitar pieces would feel equally at home on a Brian Eno record or a Fennesz recording. His debut release, Lambent Material, was released on the Temporary Residence imprint in 2003. Cooper recorded five full-lengths for the label over the next three years (An Accidental Memory in the Case of Death, Talk Amongst the Trees, Travels in Constants, and Copia) before taking...
Full Bio
Copia, Eluvium
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