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Enemy of the Sun

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Album Review

In retrospect, pitch-black goth/tribal/metal noise apocalypses shot through with found sound samples would become a common enough thing, at least if one lived with Godspeed You Black Emperor! fans. But in 1993, Neurosis, and in a different but related way Swans, were practically on their own, and on Enemy of the Sun Neurosis built upon the reach and power of Souls at Zero to create another masterpiece of on-the-edge, high-volume rampage that resists easy genre classification. Consisting of eight songs, for the most part again constructed with the deliberate arrangements familiar from the earlier album, Enemy of the Sun once more finds the common ground between a variety of approaches, whether it be rough-voiced grindcore (there's a definite Godflesh jones more than once) or operatic chant/synth mixes. More than once the rhythm section takes a certain stage without having to spell it out — the frenetic work on the title track, especially by Jason Roeder as lead drummer, is truly fierce. Sometimes the shift between extremes can be, well, extreme — witness "Raze the Stray" suddenly changing the volume level from one to ten — but note as well how the opening piano can still be heard amidst the full feedback chaos, a sign that the band knows exactly what they are doing. The use of contextual samples once again shows its effectiveness, notably with the news report regarding a notorious Vietnam War-era incident that makes up most of "Burning Flesh in Year of Pig." A couple of more straightforward songs here and there like "Cold Ascending" get made up for easily with the concluding monster, "Cleanse." With tribal percussion provided by both bandmembers and guests, including general noise rock guru Mason Jones, its combination of drums, vocal snippets, and didgeridoo makes for a mystical, unnerving half-hour conclusion.

Customer Reviews

Great album but watch the toes please...

Ok... Neurosis is great.. but you can't go on comparing these guys to Tool... In 91 Neurosis was "thrash metal". In 92 Tool released Opiate. LONG before either of these two maynard was doing the "Children of the Anachronistic Dynasty" thing. Sure the sound of Tool became more comparable but you can't say without Neurosis there would be no Tool. I am off my soap box now... Either way. Anyone looking this far back for Neurosis obviously is a fan and I have to say these guys, Isis, Pelican and Mastadon will keep you entertained forever. I own every album from everyone of these guys and they have all been played ATLEAST 100 times.

Are you Lost?

Perhaps my favorite Neurosis. "Lost" must be one of the touchstones of the genre. What a massive, beautiful, heavy album. On the other hand, there's not much grey area with Neurosis. All of their albums are classics.

Life-changing

Describing this album is like trying to describe the attributes of the Tsunami that just took out your village. Saw them in Portland 10 years ago and I've still heard nothing else to match them. Like all great art, it expands outwards and covers more ground on repeated listenings.

Biography

Formed: 1985 in Oakland, CA

Genre: Rock

Years Active: '80s, '90s, '00s

Formed in Oakland, California in late 1985, Neurosis developed a style blending industrial, heavy metal, and alternative rock with often spiritually focused lyrics. Members Steve Von Till (guitar, vocals, percussion), Dave Edwardson (bass, vocals), Scott Kelly (bass, vocals), Jason Roeder (drums), Noah Landis (keyboards, samples, tape effects), and Pete Inc. (visuals) debuted in 1987 with the album Pain of Mind, but it took nearly five years for any follow-up to be released. Both Souls at Zero and...
Full Bio