23 Songs, 1 Hour 14 Minutes

EDITORS’ NOTES

Once a member of Erick Sermon’s formidable Hit Squad, Newark MC Redman has managed to maintain an appealingly laid back demeanor in spite of the staggering commercial success of albums like Muddy Waters and Doc’s Da Name. Though numerous film projects and television appearances have inflated Redman’s public persona to cartoonishly outlandish proportions, Redman has never allowed his extra-musical fame to interfere with his MCing, and his performances on Red Gone Wild, his sixth album for Def-Jam, prove that his skills on the mic remain as formidable as ever. The album sports trunk-rattling beats from Erick Sermon, dusty funk from Pete Rock, and appropriately old-school tinged contributions from a host of talented new comers, few of which would have sounded out of place on his earlier albums. Though Redman thrives when rhyming on familiar territory, as on the defiantly anachronistic mid ‘90s thump of “Walk In Gutta”, he sounds painfully out of touch on the aptly named “Sumtn’ 4 Urrbody” which sees him catering to the lowest common denominator over ponderous crunk-lite production. For the most part however, Red Gone Wild is vintage Redman, as vital and inspiring as anything he’s created.

EDITORS’ NOTES

Once a member of Erick Sermon’s formidable Hit Squad, Newark MC Redman has managed to maintain an appealingly laid back demeanor in spite of the staggering commercial success of albums like Muddy Waters and Doc’s Da Name. Though numerous film projects and television appearances have inflated Redman’s public persona to cartoonishly outlandish proportions, Redman has never allowed his extra-musical fame to interfere with his MCing, and his performances on Red Gone Wild, his sixth album for Def-Jam, prove that his skills on the mic remain as formidable as ever. The album sports trunk-rattling beats from Erick Sermon, dusty funk from Pete Rock, and appropriately old-school tinged contributions from a host of talented new comers, few of which would have sounded out of place on his earlier albums. Though Redman thrives when rhyming on familiar territory, as on the defiantly anachronistic mid ‘90s thump of “Walk In Gutta”, he sounds painfully out of touch on the aptly named “Sumtn’ 4 Urrbody” which sees him catering to the lowest common denominator over ponderous crunk-lite production. For the most part however, Red Gone Wild is vintage Redman, as vital and inspiring as anything he’s created.

TITLE TIME
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19

About Redman

Never quite a superstar, Redman was nonetheless one of the most off-the-wall, beloved, and enduring rappers of the '90s and 2000s. Born Reginald Noble in Newark, NJ, he made his initial impact on EPMD's 1990 album Business as Usual and stepped out as a solo artist with 1992's Whut? Thee Album, one of the year's best debuts, rap or otherwise. He blended reggae and funk influences with topical commentary and displayed a terse though fluid vocal style that was sometimes satirical, sometimes silly, and always tough -- an approach that rarely wavered throughout the remainder of his career. Each of Redman's successive releases during the '90s, including Dare Iz a Darkside (1994), Muddy Waters (1996), and Doc's da Name (1999), went gold in the U.S. He was also established as a member of the EPMD-led Def Squad (initially known as the Hit Squad), which put together El Niño (another gold-seller) in 1998. Blackout!, issued a year later, solidified a longtime partnership with Wu-Tang Clan's Method Man. The duo went on to star in the 2001 movie How High, a comedy made for weed smokers, as well as a less successful and short-lived television show (Method & Red) that aired nine episodes on Fox in 2004. Redman released only two solo albums, Malpractice (2001) and Red Gone Wild (2007) during the first decade of the 2000s, but he did close it out with Method Man via Blackout! 2 (2009). The MC's seventh solo album, Reggie, appeared in 2010. ~ Andy Kellman & Ron Wynn

HOMETOWN
Newark, NJ
BORN
April 17, 1970

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