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iTunes Review

While The Hundred in the Hands has muted the abrasive electronic flourishes that peppered its eponymous debut album in 2010, Red Night still abounds with the dramatic urgency of '80s goth rock and post-punk. The Brooklyn duo of Jason Friedman and Eleanore Everdell proudly wear past influences while moving forward. “Empty Stations” opens with drum machine beats that recall those of classic industrial bands like Front 242 or Nitzer Ebb. As the rhythm gains momentum, Everdell sings a bewitching performance, sounding like she’s channeling a young Siouxsie Sioux. Under slower tempos and ghostly electronic flourishes, her witchy wails taper down to a near-whisper in the following “Recognize.” The standout song “Come with Me” is easily the catchiest Hundred in the Hands song to date. While the chilling synth tones and tribal percussion recall the days of clove cigarettes and crepe-soled creeper footwear, the fetching melodies display a pop sophistication rarely heard since Broadcast’s 2005 album Tender Buttons. Everdell’s singing on the title track even sounds like a tribute to Broadcast's late Trish Keenan. 

Customer Reviews

These guys are great!

I like the last album and the E.P.
This album is dark and complex and makes me feel like I live in a city again.
My favorite tracks are: Come with me, Keep it low, SF Summer, Faded and Tunnels.

Yes this one isn't as up beat, but it you give it a chance you'll find quite a few songs that are shining jewels.

Great album

It is criminal that this band is not better known.

not what i expected

i really like their debut album but this album was jus a bit too slow and experimental sounding for me. I like the upbeat sound of their first album more. but there are some pretty good tracks


Formed: Brooklyn, NY

Genre: Alternative

Years Active: '00s, '10s

Named after the phrase the Lakota Nation gave to the Fetterman Battle/Massacre of 1866 in Wyoming -- in which Crazy Horse led his warriors to a victory that resulted in the death of 100 white soldiers -- the Hundred in the Hands fuses synth pop with post-punk and dream pop elements, making for a sound that’s equally danceable and dreamy. The Brooklyn-based duo of Jason Friedman and Eleanore Everdell balance their duties with Friedman handling guitars and beats and Everdell providing vocals and keyboards....
Full Bio
Red Night, The Hundred In the Hands
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Customer Ratings