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Relapse: Refill

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Album Review

Eminem's expansion of his 2009 comeback Relapse is cleverly titled Refill, playing off the prescription pill artwork of the original album while offering precisely what it promises: another seven songs in the same vein as the original. Generally, these songs retain much of the carnivalesque horror show vibe of Relapse — when Slim Shady raps about "Buffalo Bill" it's not about the Wild West, it's the Silence of the Lambs — but the vibe is looser, helped in part by an increased Jamaican influence but largely deriving from Eminem's re-entry to the world. Unlike the bulk of Relapse, Refill doesn't sound like the work of a hip-hop Daniel Plainview — a mad genius locked in his mansion, forever stewing over his long-held obsessions — but sounds like an artist re-engaging with the world, trying new phrasing, opening up his music. Rather than a finished statement, this is experimentation, pointing the way toward what he'll do next time around, but there's one considerable exception: the new single "Forever," which has verses by Drake, Lil' Wayne, and Kanye West, and is none too coincidentally the one track in the entirety of Eminem's 2009 comeback that feels utterly modern.

Customer Reviews

Eminem Vs. Gucci Mane

The new songs are GREAT on the Refill!
Yes for Eminem's the Refill
No for Gucci Mane's The State Vs. Radric Davis


1st off I think he should have released this as an EP as well with just the new songs since many people already have relapse and it would be dumb to buy it again.
All of these songs are much, much better than almost all the songs on relapse, and sound like a mix of relapse and eminem show, and don't use the accent (almost).

1. Forever: 3/5 addicting but drake and lil wayne are a bit annoying and it would be better if it was all em.
2. Hell Breaks Loss (feat. Dr. Dre): 4/5 a great party song with fire from dre
3. Buffalo Bill: 1.5/5 least favorite song with the accent and about murdering people and serial killers (again)
4. Elevator: 5/5 the best song on the album IMO and really underrated. The chorus is extremely catchy, and has flow almost as good as the MMLP
5. Taking My Ball: 3/5 OK lyrics and flow but the beat is really really annoying
6. Music Box: 4.5/5 even though it has things like eating people, human parts, and serial killers, it probably has his best flow and no accent with a catchy chorus
7: Drop the Bomb on 'em: 5/5 2nd favorite song, extremely catchy and will get stuck in your head, no accent and great flow


I'm a huge eminem fan prollie bigger than Stan but I still say the blonde slim was at his peak but he said he's gonna take relapse 2 in a whole diffrent direction so hopefully he'll drop the accent and make more songs like sing for the moment, Stan, marshall Mathers, the way I am, cleaning out my closet


Born: October 17, 1972 in St. Joseph, MO

Genre: Hip-Hop/Rap

Years Active: '90s, '00s, '10s

To call Eminem hip-hop's Elvis is correct to a degree, but it's largely inaccurate. Certainly, Eminem was the first white rapper since the Beastie Boys to garner both sales and critical respect, but his impact exceeded this confining distinction. On sheer verbal skills, Eminem was one of the greatest MCs of his generation -- rapid, fluid, dexterous, and unpredictable, as capable of pulling off long-form narrative as he was delivering a withering aside -- and thanks to his mentor Dr. Dre, he had music...
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