True Grit (Soundtrack from the Motion Picture)
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||The Wicked Flee||Carter Burwell||2:34||$1.29||Ver en iTunes|
||LaBoeuf Takes Leave||Carter Burwell||2:57||$1.29||Ver en iTunes|
||Little Blackie||Carter Burwell||1:05||$1.29||Ver en iTunes|
||River Crossing||Carter Burwell||1:22||$1.29||Ver en iTunes|
||The Hanging Man||Carter Burwell||1:56||$1.29||Ver en iTunes|
||Talk About Suffering||Carter Burwell||1:32||$1.29||Ver en iTunes|
||Your Headstrong Ways||Carter Burwell||0:30||$1.29||Ver en iTunes|
||A Great Adventure||Carter Burwell||0:55||$1.29||Ver en iTunes|
||We Don't Need Him Do We?||Carter Burwell||0:49||$1.29||Ver en iTunes|
||Father's Gun||Carter Burwell||1:20||$1.29||Ver en iTunes|
||A Methodist and a Son of a Bitch||Carter Burwell||3:00||$1.29||Ver en iTunes|
||Talking to Horses||Carter Burwell||0:35||$1.29||Ver en iTunes|
||A Turkey Shoot||Carter Burwell||2:44||$1.29||Ver en iTunes|
||Taken Hostage||Carter Burwell||1:59||$1.29||Ver en iTunes|
||One Against Four||Carter Burwell||1:36||$1.29||Ver en iTunes|
||The Snake Pit||Carter Burwell||3:15||$1.29||Ver en iTunes|
||Ride to Death||Carter Burwell||2:28||$1.29||Ver en iTunes|
||I Will Carry You||Carter Burwell||1:57||$1.29||Ver en iTunes|
||A Quarter Century||Carter Burwell||1:23||$1.29||Ver en iTunes|
||The Grave||Carter Burwell||0:59||$1.29||Ver en iTunes|
||Leaning On the Everlasting Arms (True Grit Version)||Iris DeMent||1:57||Sólo con álbum||Ver en iTunes|
Notas editoriales de iTunes
Carter Burwell has scored dozens of films, including Being John Malkovich, Twilight, and The Kids Are All Right, but he’s probably best known for his long-running collaboration with the Coen Brothers. The directing duo’s 2010 release, True Grit, is an adaptation of the 1968 Charles Portis novel, which was also the source of a 1969 film starring John Wayne, who won an Academy Award for his portrayal of U.S. Marshal Rooster Cogburn. For the newer film’s score, Burwell arranged 19th century hymns, including “Leaning On the Everlasting Arms,” a song that provides the movie’s main thematic material. Burwell is deft at crafting numerous variations for piano and/or orchestra on that theme; each one has a distinct emotional/musical shading. For example the gloomy “A Methodist and a Son of a Bitch” is marked by mysterious, glassy strings while “Your Headstrong Ways” is delightfully jaunty. The other hymns that Burwell draws on lend a nice variety to this fine soundtrack. The album concludes with Iris DeMent’s deftly intoned version of “Leaning On the Everlasting Arms,” which plays over the film’s closing credits.
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Carter Burwell, you son of a gun.
It is a gross oversight by the Academy that Mr. Burwell has not been decorated with dozens of Oscar statues. And he won't be decorated for this score due to the Academy disqualifying it because too much of it isn't original material. Poppycock, I say. Never have Leaning On The Everlasting Arms or the other hymns he uses here sounded so beautiful, so epic, or so truthful. Like all great scores, it elevates its film to heights it would not have otherwise accomplished. It swells in all the right places, it's never overpowering. I may be on a True Grit high right now having just gotten back from seeing it in theaters, but I feel this is the best work Mr. Burwell has done. It is a shame we won't get to see him and Mr. Reznor face off at the Oscars next year but I have a feeling this score will get loads of recognition anyway.
Miller's Hudsucker True Grit
I've yet to see the film, but I couldn't resist listening to Mr. Burwell's new score. What can I say? It's great. You like Carter Burwell? You like feeling good? Do you not enjoy feeling like crap? Then listen to this score. Easy.
The Hanging Man is especially great. It reminds me of Thomas Newman's work. I want Mr. Newman and Mr. Burwel to duke it out and let the best man... I don't know, continue to be awesome. Or together. They don't have to fight. They could just hang out and talk probably. Wait, what? Okay, yeah, this score is beautiful.
A great movie, a great soundtrack.
I grew up listening to the hymns found within the soundtrack and, as another reviewer has already said, I've never heard them in such a way, and I mean that in the best way possible. The soundtrack really gave a lot of soul to the movie, the soul that it needed. Burwell's composition is right on and it's a shame he probably won't get the attention for this that he deserves. Probably the best $10 I've spent on an album in a long time.
Nacido/a: New York, NY, 18 de noviembre de 1955
Género: Bandas sonoras
Años de actividad: '80s, '90s, '00s, '10s