The Song Remains Not the Same by Black Label Society on Apple Music

10 Songs

EDITORS’ NOTES

The Song Remains Not the Same brings together acoustic renditions of songs from Black Label Society's 2010 album Order of the Black, along with a few key cover versions that reveal some of Zakk Wylde’s dearest influences. It’s surprising how much “Parade of the Dead” and “Riders of the Damned” have changed from the earlier versions. Previously majestic, impenetrable mountains of hard rock, they're now presented as lakes: unnervingly still and full of depth. There are still undercurrents of attitude in Wylde’s famously swaggering guitar, but at its core this is a piano record. The piano serves as a cipher for the kind of songcraft Wylde's looking for. It’s a type of deeply ruminative sweetness found in Neil Young’s “Helpless” and Paul Simon’s “Bridge Over Troubled Water,” which is why Wylde chose to cover those songs here. Few people in the metal realm can get away with something this defiantly tender, but even when he’s singing the falsetto refrain of Simon’s signature song, something in Wylde remains metal to the marrow.

EDITORS’ NOTES

The Song Remains Not the Same brings together acoustic renditions of songs from Black Label Society's 2010 album Order of the Black, along with a few key cover versions that reveal some of Zakk Wylde’s dearest influences. It’s surprising how much “Parade of the Dead” and “Riders of the Damned” have changed from the earlier versions. Previously majestic, impenetrable mountains of hard rock, they're now presented as lakes: unnervingly still and full of depth. There are still undercurrents of attitude in Wylde’s famously swaggering guitar, but at its core this is a piano record. The piano serves as a cipher for the kind of songcraft Wylde's looking for. It’s a type of deeply ruminative sweetness found in Neil Young’s “Helpless” and Paul Simon’s “Bridge Over Troubled Water,” which is why Wylde chose to cover those songs here. Few people in the metal realm can get away with something this defiantly tender, but even when he’s singing the falsetto refrain of Simon’s signature song, something in Wylde remains metal to the marrow.

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3:55
3:46
4:05
5:26
4:36
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About Black Label Society

After falling out with mentor Ozzy Osbourne following the recording sessions for 1995's Ozzmosis, guitarist Zakk Wylde struck out on his own with his first solo album, Book of Shadows, in 1996. When it failed to score any mainstream success, the six-stringer took an extended break before resurfacing with a new album and band called Black Label Society in 1999, featuring Wylde on vocals, guitar, and bass and drummer Phil Ondich. A number of different musicians would sift through the band's ranks during the convoluted tour that followed, but Ondich was back on the drum stool by the time Black Label Society recorded 2000's Stronger Than Death album for new label Spitfire Records. The subsequent tour included a slot on the second stage of his old boss' Ozzfest tour and yielded the Alcohol Fueled Brewtality Live!! album in 2001. The band returned to Ozzfest the following year (this time on the main stage) in support of the 1919 Eternal LP. Blessed Hellride appeared in 2003 and Hangover Music, Vol. 6 followed a year later. Mafia, Black Label Society's seventh album, was released in spring 2005. The following October, Spitfire Records issued the Wylde work compilation Kings of Damnation: Era 1998-2004.

In 2006, the band began its relationship with the Roadrunner label with a new album, Shot to Hell. Black Label Society's engagement with Roadrunner was short-lived, with the band departing the label the following year. Most of 2007 was spent with the members pursuing other projects -- Wylde once again toured with Ozzy, while current members bassist JD DeServio and guitarist Nick Catanese concentrated on their own bands. A compilation called Skullage appeared in 2009, then Wylde pulled the band -- now featuring Catanese, DeServio, and drummer Will Hunt -- into the studio for Order of the Black, Black Label Society's eighth album, released in the summer of 2010. Another studio album, The Song Remains Not the Same, appeared the following year. In 2013, Black Label Society decided to show fans a different side to their sound on the live album Unblackened, which found them dialing back the intensity of some of their past work in order to expose the bluesy roots at the heart of their sound. The following year, Wylde and company returned with new material, releasing Catacombs of the Black Vatican in 2014.

~ Eduardo Rivadavia

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