Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Before Today by Ariel Pink's Haunted Graffiti, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Open iTunes to preview, buy, and download music.

Editors’ Notes

Ariel Pink has been making lo-fi bedroom music since the late ‘90s in a style some might consider loner noodling, while others refer to it as the birth of “chillwave.” However, Pink has always had an ear for hidden treasures, and for transforming one thing into quite another through effects, collage, and sheer will. Before Today is a first in many ways: his first release for a major independent label, his first with a full band, his first collection of new songs created en suite, as a whole. It’s as amorphous and shape shifting as anything he’s ever done, but — by elevating the process itself — the collection has more power, and leaves a more lasting impression. “Bright Lit Blue Skies,” a surf-flavored ‘60s cover, feels directly aimed at summertime radio, while the soft-rock ‘70s colors tracks like “Can’t Hear My Eyes,” with its sparkling analog organ riffs, and the stellar single “Round and Round,” a tune that personifies the fine line between cheese and the pop cool of the time. Before Today is shaded with everything from Krautrock to psychedelia, prog to British post-punk, and is the place for Ariel Pink novices to begin their journey.

Customer Reviews

An open debate

I'm as much of a music geek as most the people here who have reviewed this album. Most people who have reviewed this album are also already Ariel Pink fans. I will admit that this is his most accessible album to date. There are several songs on here that are pop gems. But, as a whole? I disagree. "Round and Round," the lead single, in my opinion is a mess. The disjointed time changes act more like a song within a song, and don't truly hold together as one composition to me. I'm glad to see he's upping his production value a little bit though. I just feel that lo-fi recording for the sake of being lo-fi is kind of pointless. Guided By Voices, for example, recorded on 4 and 8-track because that was all they had available to them in the late 80s. It then just became their staple sound moving into the 90s. When artists record using that method today, I find it more pretentious. If the technology is available to you, which it is today, use it. I guess I'm rambling. Again, I'm not trying to hate on the guy's talent. I think he's an artist. I just don't dig it as much as everyone else. To each his own.


it's just the best release of the year. A brilliant masterpiece from start to finish. Big cheers, big cheers.

This is my beer cooler joint

This is what I plan on popping a top to this summer! Great vibe. Good for night driving in the city.


Formed: 1996 in Los Angeles, CA

Genre: Alternative

Years Active: '90s, '00s, '10s

Ariel Pink's Haunted Graffiti craft lo-fi recordings full of intrigue — and full of contradictions. The Los Angeles-based multi-instrumentalist Pink writes songs that are melodic, catchy, and familiar — and in their own unorthodox way, recall the most immediate, accessible, straightforward FM pop/rock of the '70s and '80s. As a songwriter, Pink has a real sense of pop/rock craftsmanship, with influences ranging from David Bowie, John Lennon, the Bee Gees, Hall & Oates, and the Raspberries...
Full Bio