13 Songs, 50 Minutes

EDITORS’ NOTES

The follow-up to last year's Undivided Attention EP, S.P.T.A. (short for Said Person of That Ability) is J-Live's fifth full-length. It finds the longstanding New York artist continuing to serve up classic-style hip-hop loaded with strong beatwork and smart, down-to-earth lyricism. A concept album of sorts, it starts with three different Js (representing the emcee, DJ, and producer) talking to one another before launching into a dope collection of tracks that touch on romance ("The Me and You"), love for hip-hop (the scratch-happy "Pronounced Spitta"), and the ups and downs of life as a successful independent artist ("Half a Glass" with Lyric Jones). As per usual, the beats are knocking, with an abundance of mellow jazz and soul samples (the bass- and flute-propelled "Life Comes in Threes" is especially tight), courtesy of J as well as Diamond D, Marco Polo, RJD2, Nicolay, and others. Another solid offering from one of the more consistent cats working today.

EDITORS’ NOTES

The follow-up to last year's Undivided Attention EP, S.P.T.A. (short for Said Person of That Ability) is J-Live's fifth full-length. It finds the longstanding New York artist continuing to serve up classic-style hip-hop loaded with strong beatwork and smart, down-to-earth lyricism. A concept album of sorts, it starts with three different Js (representing the emcee, DJ, and producer) talking to one another before launching into a dope collection of tracks that touch on romance ("The Me and You"), love for hip-hop (the scratch-happy "Pronounced Spitta"), and the ups and downs of life as a successful independent artist ("Half a Glass" with Lyric Jones). As per usual, the beats are knocking, with an abundance of mellow jazz and soul samples (the bass- and flute-propelled "Life Comes in Threes" is especially tight), courtesy of J as well as Diamond D, Marco Polo, RJD2, Nicolay, and others. Another solid offering from one of the more consistent cats working today.

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1:27
3:44
3:22
4:01
4:14
3:48
3:54
4:10
4:31
4:19
4:41
4:00
4:00

About J-Live

Brooklyn MC J-Live first garnered notice with the release of his 1995 single "Bragging Writes." Delivering his thoughtful lyrics with confidence and ease, J-Live's rapping was strong and his soul-inflected grooves immediately appealed to fans of underground hip-hop. A year later he followed up with another hit, "Hush the Crowd," and started to generate a palpable buzz. With tracks produced by luminaries such as Prince Paul, DJ Premier, and Pete Rock, the release of J-Live's full-length debut, The Best Part, was hotly anticipated and the future looked promising for the ascendant MC. At this point, though, J-Live was beset by a host of troubles. Amidst constant label shuffling and plagued by a series of illegal bootlegs, the release of The Best Part was delayed for five years. There was some talk that J-Live was behind some of the bootlegs -- a few of which were of extremely high quality -- and the ongoing saga became something of an underground legend. In the interim, J-Live worked as an eighth-grade teacher in Brunswick, NY, and continued to embellish and refine his debut. He kept good company, making cameo appearances on strong albums like Handsome Boy Modeling School's So...How's Your Girl? and J. Rawls' The Essence of J. Rawls. The Best Part finally enjoyed its official release in the fall of 2001. All of the Above followed one year later, and 2003 brought a two-part mini-LP tribute to his early days, Always Has Been and Always Will Be. J-Live released his third LP, The Hear After, in 2005 on the Penalty (Ryko) label and followed up with the Reveal the Secret EP in 2007. Then What Happened? debuted on BBE Records the following year. Soon after, he started his own Triple Threat label and released the Undivided Attention EP in 2010 as a precursor to his 2011 full length album S.P.T.A. Said Person of that Ability. ~ Martin Woodside

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