Safe Trip Home (Deluxe Version) by Dido on Apple Music

15 Songs

EDITORS’ NOTES

This English chanteuse takes her time and immerses herself in placid, soothing soundscapes that compliment her smooth, pretty voice to the point where you might miss the emotional insecurities that run just beneath the surface. On just her third solo album since her 1999 debut, Dido continues her streak of attractive adult-contemporary pop. “Don’t Believe In Love” and “Never Want to Say It’s Love” use Jon Brion’s creamy keyboards and steadying production hand to hide the tough questions facing lovers at any point of introspection. Brian Eno adds his extra flourishes to “Grafton Street,” a six-minute ethereal moan through flute-inspired fields of remorse. Mick Fleetwood, Citizen Cope and Questlove from the Roots make cameo appearances that strengthen the tunes in subtle ways. But it’s still Dido’s show. It’s her melancholy that shadows the sweet melodies of “It Comes and It Goes” and “Northern Skies” and paces the slow mourn of the piano ballad “Look No Further.”  “Us 2 Little Gods” adds an extra skip-step for balance, while “Let’s Do the Things We Normally Do” pushes through with a nightclub ambience, but it’s only a diversion from the ominous clouds that circle her existence.

EDITORS’ NOTES

This English chanteuse takes her time and immerses herself in placid, soothing soundscapes that compliment her smooth, pretty voice to the point where you might miss the emotional insecurities that run just beneath the surface. On just her third solo album since her 1999 debut, Dido continues her streak of attractive adult-contemporary pop. “Don’t Believe In Love” and “Never Want to Say It’s Love” use Jon Brion’s creamy keyboards and steadying production hand to hide the tough questions facing lovers at any point of introspection. Brian Eno adds his extra flourishes to “Grafton Street,” a six-minute ethereal moan through flute-inspired fields of remorse. Mick Fleetwood, Citizen Cope and Questlove from the Roots make cameo appearances that strengthen the tunes in subtle ways. But it’s still Dido’s show. It’s her melancholy that shadows the sweet melodies of “It Comes and It Goes” and “Northern Skies” and paces the slow mourn of the piano ballad “Look No Further.”  “Us 2 Little Gods” adds an extra skip-step for balance, while “Let’s Do the Things We Normally Do” pushes through with a nightclub ambience, but it’s only a diversion from the ominous clouds that circle her existence.

TITLE TIME
3:52
3:17
3:35
5:57
3:27
3:13
4:49
4:13
4:09
4:11
8:55
12 5:41
13 3:52
14 5:53
4:35

About Dido

The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. After touring with a British classical ensemble, she accepted a publishing job. Meanwhile, she sang with a series of local groups before joining the trip-hop outfit Faithless -- helmed by her older brother, the noted DJ and producer Rollo -- in 1995. The group released its debut album, Reverence, the following year. It went on to sell over five million copies worldwide, and Dido parlayed her newfound success into a solo deal with Arista Records.

Dido's ethereal solo material combined elements of acoustic pop and electronica. She released her debut LP, No Angel, in mid-1999, and supported the release by joining the Lilith Fair tour that summer. However, her biggest break arrived in 2000, when rap superstar Eminem sampled one of her tracks, "Thank You," for the chorus of his hit single "Stan." The result was a surprisingly touching song, and demand for the Dido original quickly escalated. "Thank You" became a Top Five smash in early 2001, as did the accompanying No Angel, whose album sales topped 12 million copies worldwide by the time Dido returned to the spotlight two years later.

In September 2003, she released her long-awaited follow-up, Life for Rent. This sophomore effort was layered with personal hardship and heartbreak, marking some of Dido's more honest material yet. An eagerly anticipated record, it became one of the fastest-selling albums in U.K. history, quickly going multi-platinum at home while also moving several million copies in America. Following a world tour, Dido once again retreated from the public eye in 2005 to work on her third solo release. Safe Trip Home arrived in 2008, featuring collaborations with Brian Eno, Mick Fleetwood, and Citizen Cope. Shortly after this, she recorded the single "Everything to Lose," which subsequently appeared on the Sex and the City 2 soundtrack. In 2011, she worked with producer A.R Rahman on the single "If I Rise" and began work on her fourth studio album, Girl Who Got Away, with producers Rollo Armstrong and Jeff Bhasker, as well as guest producer Brian Eno on the track "Day Before We Went to War." Described by herself as a "big, fun electronic extravaganza," the album was scheduled for release in early 2013 ~ Jason Ankeny

  • ORIGIN
    Kensington, London, England
  • BORN
    Dec 25, 1971

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