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Album Review

After many years working with both fellow Norwegian jazzer Jan Gabarek and such stateside talent as Sheila Jordan, Don Cherry, Sam Rivers, and George Russell, bassist Arild Andersen marked the mid-'70s with the first of several ECM sessions to be cut over the following two decades. Featuring regular collaborators like drummer Paal Thowsen, saxophonist Juhani Aaltonen, and pianist Lars Jansson, Andersen's solo outings not only reflected the airy sound ECM and Gabarek espoused, but the loose and tasteful experimentation of Miles Davis' '60s work as well. For Sagn, Andersen incorporates Norwegian folk songs into the mix with the help of singer Kristen Braten Berg, percussionist Nana Vasconcelos, and a combo of guitar, keyboards, and saxophone. Alternating between sung parts and instrumental segments, the commissioned piece is divided into three sections and finds the group ranging through buoyant swingers and meditative stretches. While a few of the instrumentals get weighed down in guitarist Frode Alneas' rock-tinged contributions, the album mostly comes off quite nicely.

Customer Reviews

Amazing always

The music and performances on this album are some of the best ever recorded.

Biography

Born: October 27, 1945 in Lilleström, Norway

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Norwegian bassist Arild Andersen has demonstrated fine skills and stylistic versatility. He's performed admirably in free, jazz-rock, and quasi-new age situations since the '60s. Andersen studied bass and the Lydian Chromatic Concept of Tonal Organization with George Russell, and also played with him during the '60s and '70s. He also studied with Karel Netolicka. Andersen began playing at various festivals in Norway during the late '60s. He was tapped by Don Cherry for his first appearance outside...
Full Bio
Sagn, Arild Andersen
View In iTunes
  • $11.99
  • Genres: Jazz, Music, World
  • Released: Aug 1990

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