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King of Kings

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iTunes Review

After his wildly successful 2003 album The Last Don, Don Omar could have gotten comfortable. Instead, he pushes the boundaries of reggaetón on his second effort and blends an innate urban sensibility with Dominican ripiao (“Cuentale”), headbanging rock (“Candela”), Jamaican dancehall (“Belly Danza”), Egyptian flutes (“Salió el Sol"), and pop balladry (“Tu No Sabes”). Lyrically, he proves that no amount of fame and fortune can make him turn his back on the streets that raised him.

Customer Reviews

don is da bomb

yo if u like 1 track by don omar u like all his music this album is hot and makes u want 2 grab a girl and start dancing

I know that alot of people are...

I see that alot of people are saying this album isnt that good and it sounds the same but once you really listen to it, it doesnt! The way that he is pronouncing the words and the way that his words go with the beat make me like the cd even more than what I already do. I just got the cd today and I've listened to each song at least once. There may be one or two songs that arent all that good but that doesnt make the whole album bad. I believe that he has carried out his name, King of Kings! Don Omar es el rey!

all the wait for nothing

The problem with regetton now days is that it hasnt evolved at all, and this album is a perfect example of that. 3 years have gone by since Don Omar's last studio album and the wait hasnt been worth it. The album sounds as a continuation of others albums that are out there. "Cuentale," for example has the same flow as "Dile," rap over the "mayor que yo" beat; and please lets stop mixing Bachata and regetton together its PLAYED OUT already. I know many will disagree with me, but in order for the genre to grow the music has to grow and evolve as well; and the pioneers have to start taking chances with their music to pave the way for the up and comers.


Born: February 10, 1978 in Villa Palmeras, Puerto Rico

Genre: Latin Urban

Years Active: '90s, '00s, '10s

Don Omar became one of reggaeton's first international superstars, thanks to his early-2000s work with Luny Tunes, but even more so to "Reggaeton Latino," his 2005 anthem that became one of the style's first genuine crossover hits. Born William Omar Landrón on February 10, 1978, in Villa Palmeras, Puerto Rico, Omar involved himself in the church at a young age. He became a preacher; in fact, and it was in this role that he began honing his performance ability as well as his deep insight into the...
Full Bio
King of Kings, Don Omar
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