14 Songs, 48 Minutes

EDITORS’ NOTES

From the start, the Eli Young Band sought to combine Americana-style rock and mainstream country with a distinctively Texas feel. Those who know the group from its later recordings will find this re-released self-titled debut album of interest from several angles. The tracks capture a raw-yet-promising combo making up for its lack of polish with an abundance of ideas and enthusiasm. Band leaders Mike Eli and James Young come across as a budding Don Henley and Glenn Frey, trying their hand at melodic romantic ballads (“We Could Be Forever,” “Back of My Mind”), feisty Southern rockers (“I’m In Love,” “Guardian Angel”), and Tex-Mex flavored mid-tempo tunes (“Down On Padre”). Songs like “I Still Think It’s Me” and “When We Were Innocent” show that the group had hit-single potential from the word go. The album’s basic production is adequate but fails to capture fully the Eli Young Band’s brash energy as a Texas club attraction. As time went on, the group entered the big leagues, tightened up its sound and scored radio hits — but also lost some of its scruffy, let’s-try-anything spirit. It’s these latter qualities especially that make Eli Young Band well worth hearing.

EDITORS’ NOTES

From the start, the Eli Young Band sought to combine Americana-style rock and mainstream country with a distinctively Texas feel. Those who know the group from its later recordings will find this re-released self-titled debut album of interest from several angles. The tracks capture a raw-yet-promising combo making up for its lack of polish with an abundance of ideas and enthusiasm. Band leaders Mike Eli and James Young come across as a budding Don Henley and Glenn Frey, trying their hand at melodic romantic ballads (“We Could Be Forever,” “Back of My Mind”), feisty Southern rockers (“I’m In Love,” “Guardian Angel”), and Tex-Mex flavored mid-tempo tunes (“Down On Padre”). Songs like “I Still Think It’s Me” and “When We Were Innocent” show that the group had hit-single potential from the word go. The album’s basic production is adequate but fails to capture fully the Eli Young Band’s brash energy as a Texas club attraction. As time went on, the group entered the big leagues, tightened up its sound and scored radio hits — but also lost some of its scruffy, let’s-try-anything spirit. It’s these latter qualities especially that make Eli Young Band well worth hearing.

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About Eli Young Band

Fusing a young man's take on heartland rock with the tougher side of Texas country music and the cocky enthusiasm of alt-country firebrands, the Eli Young Band have become a potent draw in the Southwest on the strength of local airplay and extensive touring. The Eli Young Band's story began when Mike Eli and James Young both enrolled at the University of North Texas and found themselves sharing a dorm room as freshmen. Both played guitar, and the two new friends started writing and singing songs together. Under the name Eli & Young, they began playing acoustic shows at local bars and coffee houses, and in time they expanded the band into a full electric quartet with the addition of fellow students Jon Jones on bass and Chris Thompson on drums, thus giving rise to the Eli Young Band.

The group became a potent local draw, and in 2003 opened a show for rising star Miranda Lambert. Producer Frank Liddell saw the show and was impressed enough to offer the band a deal with his independent label, Carnival Recording Co. The Eli Young Band's debut album, Level, appeared in 2005, and the songs "That's the Way" and "When It Rains" began scoring significant airplay in the Lone Star State. The Eli Young Band's enthusiastic live show helped them draw a large and loyal audience in the Southwest, where they were able to fill 2,000-seat venues as a headliner, and they toured the country as an opener for the likes of Pat Green, Cross Canadian Ragweed, and Jack Ingram.

In 2006, the group's live show was captured for posterity on the concert recording Live at the Jolly Fox, taped during a gig at a club in Huntsville, Texas. The Eli Young Band then landed a deal with the Universal-distributed Republic Records; a video for a new recording of "When It Rains" subsequently received extensive play on Country Music Television, and the group's first album for Republic, Jet Black & Jealous, was released September 2008, with "When It Rains" and two other songs from the album, "Always the Love Songs" and "Radio Waves," becoming Top 40 hits.

The follow-up album, Life at Best, delivered another hit, the Liz Rose and Lee Brice-penned "Crazy Girl." The album was well-received by fans and critics alike, and the following year the Eli Young Band were nominated for a host of awards, including a clutch of Academy of Country Music Awards, where they took home the Song of the Year accolade for "Crazy Girl," while they were also up for Grammys for Best Duo/Group Performance and Best Country Song. They soon returned to the studio to record sessions for their fifth album, and in 2013 the fruits of their labor appeared in the shape of the "Drunk Last Night" single, which raced to number one in the U.S. Country Airplay chart. Building on this success, they headed out on tour before announcing that 10,000 Towns was set to be released in 2014; it was preceded by the second single, "Dust." An EP called Turn It On was released in the spring of 2015. For 2017's Fingerprints, the Eli Young Band signed with the Big Machine subsidiary Valory. ~ Mark Deming

  • ORIGIN
    Denton, TX
  • FORMED
    2000

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