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Secret Life

Material

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Album Review

Material became less unique and interesting with each passing release, so it's no surprise that their most solid album is this compilation that gathers their first four singles and EPs, written and recorded between 1979 and 1981. Material's roots were in New York's anti-musical no wave scene, and although from the very beginning these guys had chops galore (Michael Beinhorn sounds like he's playing electronic drums even on a trap kit, he's so precise), there's a much harsher and more aggressive edge to these early recordings than there ever would be on later Material albums, which were far too slick and veered dangerously close to fusion territory. Songs like "O.A.O.," with its fiery Robert Quine guitar solo, and the free jazz-influenced rhythm improvisation "On Sadism" are as fresh and exciting as any jazz-based instrumental music of the early '80s, although the unfortunate vocal disco track "Dark Things" that closes the disc portends the group's slow and steady decline.

Biography

Formed: 1979 in New York, NY

Genre: Pop

Years Active: '70s, '80s

One of the most high-profile projects of the endlessly prolific bassist and producer Bill Laswell, Material pioneered a groundbreaking fusion of jazz, funk, and punk that also incorporated elements of hip-hop and world music well before either's entrance into the mass cultural consciousness. Formed in 1979, the first Material lineup consisted of Laswell, multi-instrumentalist Michael Beinhorn, and drummer Fred Maher, all three staples of the downtown New York City underground music scene. The group,...
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Secret Life, Material
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