13 Songs, 41 Minutes

EDITORS’ NOTES

In their heyday in the mid-‘80s and early ‘90s, New Jersey’s Smithereens played ‘60s-inspired rock ‘n’ roll, strong on melody and electric guitars. In the new century, the group have embraced their roots like no other, re-recording classic rock for its own sake, from an entire re-creation of the Beatles’ Meet the Beatles and their early B-sides to an abbreviated take on the Who’s 1969 rock opera masterpiece Tommy. Artistically, it’s more about execution than innovation. The Smithereens aren’t re-interpreting the material but stripping it to its essentials and enjoying Pete Townshend’s timeless melodies in the process. They can’t hope to better the Who’s own take on “Pinball Wizard” or “We’re Not Gonna Take It,” but they show a genuine understanding of the music and modest tracks such as “It’s A Boy” and “Go to the Mirror” resonate with power and grace. The guitar sounds are strong and singer Pat DiNizio may be no Roger Daltrey but he’s an ambitious understudy, while drummer Dennis Diken knows better than to try and outdo the great Keith Moon, though the playing on “Sparks” is pretty damned inspired.

EDITORS’ NOTES

In their heyday in the mid-‘80s and early ‘90s, New Jersey’s Smithereens played ‘60s-inspired rock ‘n’ roll, strong on melody and electric guitars. In the new century, the group have embraced their roots like no other, re-recording classic rock for its own sake, from an entire re-creation of the Beatles’ Meet the Beatles and their early B-sides to an abbreviated take on the Who’s 1969 rock opera masterpiece Tommy. Artistically, it’s more about execution than innovation. The Smithereens aren’t re-interpreting the material but stripping it to its essentials and enjoying Pete Townshend’s timeless melodies in the process. They can’t hope to better the Who’s own take on “Pinball Wizard” or “We’re Not Gonna Take It,” but they show a genuine understanding of the music and modest tracks such as “It’s A Boy” and “Go to the Mirror” resonate with power and grace. The guitar sounds are strong and singer Pat DiNizio may be no Roger Daltrey but he’s an ambitious understudy, while drummer Dennis Diken knows better than to try and outdo the great Keith Moon, though the playing on “Sparks” is pretty damned inspired.

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About The Smithereens

Dressed in leather, brandishing heavy guitars, and exhibiting an unabashed fetish for British Invasion pop, the Smithereens were an anomaly in the American college rock scene of the late '80s. Lead singer/songwriter/guitarist Pat DiNizio stood out not only with his strange beatnik goatee, but also because his catchy hooks were haunting, not punchy, and because his lyrics were morose. As time wore on, the group became more straightforward, turning into an excellent bar band, one that attacked pop songs with the weight of AC/DC. A few hits followed, but the Smithereens seemed hopelessly out of date in the alternative rock explosion of the early '90s, and they quietly faded into a working cult band.

Of course, the Smithereens essentially started out as a working band. After playing in several cover bands, including a handful of prog rock and metal groups, DiNizio was inspired to form his own band after listening to Buddy Holly. Placing an advertisement in a New York paper for musicians influenced by Holly, Nick Lowe, Elvis Costello, and the Clash, DiNizio eventually came into contact with New Jersey high-school students Dennis Diken (drums), Jim Babjak (guitar), and Mike Mesaros (bass), who had all played together in school. By the end of 1980, they had independently released Girls About Town, an EP featuring four songs with "girl" in the title that was a moderate local success. For the next three years, the group played around New Jersey and New York, not releasing another record until 1983's Beauty and Sadness. While the EP earned some play on college radio and received a positive review in Rolling Stone, they still had trouble gaining an audience, so they began supporting traveling oldies artists like Otis Blackwell, with whom they recorded an album's worth of material, and the Beau Brummels.

By 1985, the Smithereens were growing frustrated by their lack of progress, as most of the demos they sent to labels were ignored. They did send a demo to Enigma, where Scott Vanderbilt, a former college DJ who was a fan of the band several years earlier, signed the group. In 1986, the band released its debut album, the Don Dixon-produced Especially for You, to positive reviews. On the strength of college airplay, as well as MTV's airing of "Blood and Roses" -- a video financed by a film studio that included the song in the B-movie Dangerously Close -- the album became a moderate hit, climbing to number 51 on the charts and leading to a major-label contract with Capitol. The Smithereens supported the album with an extensive tour, and they recorded their second record weeks after they left the road.

Green Thoughts appeared early in 1988, and the first single, "Only a Memory," not only became a college and modern rock hit, but it crossed over to album rock stations as well. The Smithereens made their attempt for big-time album rock success with their third album, 11. Hiring producer Ed Stasium brought a heavier guitar sound, which made "A Girl Like You" -- a song rejected as the theme for the comedy Say Anything -- a Top 40 hit, sending 11 to gold status. "Too Much Passion," the first single from their fourth album, Blow Up, indicated that the new record was more adventurous and produced, and the single did become a Top 40 hit, yet the album itself failed to replicate the success of its predecessor.

Blow Up was their last album for Capitol, and they moved to RCA for 1994's A Date with the Smithereens, their first album since Green Thoughts to be produced by Don Dixon. By that time, the alternative and mainstream rock scenes had been heavily altered by grunge, which essentially left the band without an avenue for their records to be heard. The album bombed, but the Smithereens retained a sizable cult following that helped them tour successfully into the late '90s. In 1995, they released a pair of compilations, the hits package Blown to Smithereens and the rarities collection Attack of the Smithereens.

After a five-year recording hiatus, the group returned to the studio for 1999's God Save the Smithereens. Another series of compilations and live recordings appeared between 2000 and 2006, with Meet the Smithereens! arriving the following year along with a holiday album, Christmas with the Smithereens. Live in Concert! Greatest Hits and More, recorded at the Court Tavern in New Brunswick, New Jersey, appeared in 2008. Two tribute albums would follow, with B-Sides the Beatles arriving in 2008 and The Smithereens Play Tommy following in 2009. In 2011 they issued Smithereens 2011, their first album of original songs in 11 years. However, a pair of falls in 2015 left DiNizio with serious nerve damage, and he continued to experience health issues that curtailed his public activities with both the Smithereens and as a solo artist. After further injuries forced the cancellation of planned Smithereens shows in 2017, DiNizio died in December of that year at the age of 62. ~ Stephen Thomas Erlewine

ORIGIN
Carteret, NJ
GENRE
Rock
FORMED
1980

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