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The Mouse And The Man

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Reseña de álbum

The sing-jay innovator follows up his breakthrough Wa-Do-Dem release with this quality outing from 1983. And while he keeps the dread rhythms of the singular Roots Radics band, Eek switches producers to revisit some earlier triumphs with Linval Thompson at the board. Thompson weaves a tough and spacious sonic background similar to another of Eek's important producers of the time, Henry "Junjo" Lawes. Highlights include the title track, "Stadium Hot," and "Schoolboy." A top Eek-A-Mouse release.

Reseñas de clientes

The Mouse

One of the best he put out at this time he had the dancehall on lockdown

mouse opinion

Uno de los mas grandes artistas Jamaiquino "Respet" que pena que no se le de el puesto que realmente se merece. Al igual de muchos otros como Don Carlos, por nombrar alguno.


Nacido/a: Kingston, Jamaica, 19 de noviembre de 1957

Género: Reggae

Años de actividad: '80s, '90s, '00s

Ludicrous, bizarre, and uniquely original, few DJs have made such a splash in the dancehall scene than Eek-A-Mouse. An artist who in any other country would have been a one-hit wonder, in Jamaica became a household name having invented a whole new vocal style, sing-jay, flooding the airwaves with his catch phrases and going on to become a respected toaster. Eek-A-Mouse didn't start out as a novelty act. He was born Ripton Hilton in 1957 in Kingston, Jamaica, and his first foray into the music world...
Biografía completa
The Mouse And The Man, Eek-A-Mouse
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