12 Songs, 57 Minutes

EDITORS’ NOTES

Gorgeously cinematic and unhurried blends of hip-hop, jazz, and funk.

EDITORS’ NOTES

Gorgeously cinematic and unhurried blends of hip-hop, jazz, and funk.

TITLE TIME

Ratings and Reviews

4.5 out of 5
13 Ratings
13 Ratings

The best

A-12 924

Chill pill

So chill

Doctor spin

I had high hopes and was really anticipating this album. Wow. Expectations met. I discovered Nightmares On Wax while looking for chill music to listen to while smoking and bought all the older albums after just one listen of Smokers Delight. Shape The Future has this elevated vibe that kinda starts indica and ends sativa. The older Nightmare sound is there again, but stronger this time. Meatier. I got stoned and really drifted off with this one. The first track Back To Nature set me into this beautiful meditative state of mind and before I knew it an hour had passed. I love this whole album.

Great to hear them back

Rob Salmon

Definitely a good listen start to finish!

About Nightmares On Wax

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper -- the latter of whom was eventually replaced by Robin Taylor-Firth -- Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was -- along with early tracks by LFO, Tuff Little Unit, and Tricky Disco -- a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and the burgeoning eclecticism of the years to come. Formed in the late '80s in West Yorkshire as an extension of Evelyn and company's b-boy crew the Soul City Rockers, NoW's first singles, "Dextrous" and "Aftermath," were both highly regarded, and the latter shot into the U.K. pop singles Top 40. The subsequent album laid a good deal of the groundwork for the downtempo experimental hip-hop/electro-funk worked over by Mike Paradinas, Luke Vibert, Spacer, and others, and earned the group a secure spot among techno's select crew of next-step innovators.

The group nonetheless disbanded following Science's release, with early contributor Kevin Harper leaving to pursue a DJ career and Evelyn turning out a smattering of house tracks on Warp's Nucleus subsidiary before settling into bedroom woodshed mode, often joined by Taylor-Firth. Following a four-year hiatus, Evelyn resurfaced with a track on the Mo' Wax Headz compilation and, soon after, Smoker's Delight, basically an instrumental hip-hop album with a distinctively British eclecticism. Still involved with the same sorts of genre-spanning sampler-and-sequencer experiments, Smoker's Delight was also less obvious, suited more to repeat listenings than previous material. The same was also true for 1999's Carboot Soul, Evelyn's first album as part of a deal with American indie label Matador for domestic distribution. In 2000, NoW produced the first new track by De La Soul in several years, included on an EP -- Sound of N.O.W -- featuring the rap pioneers. Following on its heels was a volume in the Studio !K7 mix series DJ-Kicks.

Two years later, Evelyn delivered his fourth LP, Mind Elevation. A bigger gap preceded the release of his next proper LP for Warp, but In a Space Outta Sound finally appeared in 2006, while 2008's Thought So... and the unmixed selector compilation Coming Home followed closely behind. Evelyn continued to work as a downtempo DJ, collaborated with Jazzanova arranger Sebastian Studnitzky, and released Feelin' Good, another eclectic set of productions, in 2013. The following year brought a retrospective set, N.O.W. Is the Time, to celebrate 25 years of activity. Morgan Geist, Optimo's JD Twitch, and Ashley Beedle, among others, granted remixes. Evelyn issued the Ground Floor EP, featuring Andrew Ashong, Wolfgang Haffner, and Acid Mondays, in 2016. The next year, he released the first in a batch of singles that preceded the early-2018 set Shape the Future. ~ Sean Cooper

ORIGIN
Yorkshire, England
FORMED
1988

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