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Surrealistic Pillow

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Album Review

Until the release of this disc in the summer of 2003, the CD history of Surrealistic Pillow had been a study in confusion and frustration. The original 1980s CD was an abomination, the mid-'90s high-priced audiophile version an improvement (offering both the stereo and mono mixes of the album), the 2000 European reissue a slight improvement over that, and the 2001 remastering a sharper and louder version of the stereo/mono mixes. And then came this 2003 remastering, which skips the mono mixed version of the album but offers superior fidelity on the stereo mix, with better balance and a more solid center (especially for the voices) between the two stereo channels than any prior version. It's still not perfect, betraying some slight distortion, but it hits this listener as at least the equal of the 2001 version, with the added bonus of a quartet of chronologically related single sides: the superb Jorma Kaukonen-authored slow blues "In the Morning" (worth the price of the new disc), featuring John Hammond, (allegedly) Jerry Garcia, and future Steppenwolf keyboard wizard Goldy McJohn; founding member Skip Spence's more folky and spirited "J.P.P. McStep B. Blues" (which would have been a great B-side, but lay in the vaults until 1974's Early Flight); the slashing, guitar-driven rocker "Go to Her" in its harder, more developed second version — the Paul Kantner co-authored song had been in the band's repertoire from the beginning, and gets its more powerful of two treatments here, with a killer solo verse by Grace Slick and great ensemble singing; and Kaukonen's searing psychedelic rearrangement of Lightnin' Hopkins' "Come Back Baby," a late-winter 1967 track sandwiched midway between this album and the sessions for After Bathing at Baxter's. Also included are the mono single mixes of "Somebody to Love" and "White Rabbit," which aren't all that special, though they are different from the stereo album mixes. There is also a hidden bonus track appended, after an extended pause, to the latter song — an instrumental track to Paul Kantner's "D.C.B.A. - 25," included for no apparent reason except to throw listeners a bone from the original multi-track studio tapes. The overall effect is to make Kaukonen stand out a bit more in center stage and, coupled with the very thorough annotation, makes the 2003 version an absolutely essential acquisition.

Customer Reviews

U like real rock n roll? then u must own this album!!!!

wow what an amazing record....there's classics, and then there's CLASSICS!!! this album dropped in the 60's so its influence is heavily felt in popular music since then. grace slicks voice is sultry, heavy at times, and mysterious. Just a beautifully produced album here. If u dont have it, GET IT!!!

My Favorite Jefferson Airplane

I'm a huge fan of 60's psychedelic music. This album is great! If you don't already know grace slicks voice is heavenly. This album is very touching with some really great messages tucked in. "when the truth is found to be lies" Jefferson Airplane showed the world how to send meaning through the mass by music. This is a very mellow beautiful psychedelic album. Truely makes me wish i was apart of what was going on back then


Listening to this album is like an acid trip...except you don't get arrested.


Formed: 1965 in San Francisco, CA

Genre: Rock

Years Active: '60s, '70s, '80s

Jefferson Airplane was the first of the San Francisco psychedelic rock groups of the 1960s to achieve national recognition. Although the Grateful Dead ultimately proved more long-lived and popular, Jefferson Airplane defined the San Francisco sound in the 1960s, with the acid rock guitar playing of Jorma Kaukonen and the soaring twin vocals of Grace Slick and Marty Balin, scoring hit singles and looking out from the covers of national magazines. They epitomized the drug-taking hippie ethos as well...
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