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Done With Mirrors

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iTunes Review

Done With Mirrors was the return of the mighty Aerosmith. The group had dominated the 1970s with hard rock that never lost its groove and after a lost period where guitarists Joe Perry and Brad Whitford tested out solo careers, the original fearsome five were back in the saddle. Though the album didn't fare as well commercially as subsequent releases, the music here is the sound of an artistically fired-up group. "Let The Music Do The Talking," which had been a highlight of Perry's solo work, sounds even better in the hands of singer Steven Tyler. "My Fist Your Face" and "Gypsy Boots" are classic pieces from the cleaned-up Toxic Twins, Tyler and Perry, who used their newfound sobriety to focus their songwriting. The somber "The Reason A Dog" captures the band at its most reflective, without turning towards generic power ballads. Producer Ted Templeman deserves much of the credit. He secretly recorded the band's rehearsals, knowing the group would be looser if they weren't aware they were being recorded (a trick he also used with Van Halen). 

Customer Reviews

Underrated-Filthy Angry Groove

One of the most underrated Aerosmith albums , this album has a filthy angry groove that runs throughout the entire album, when I listen to Aero i pull out Rocks and Done With Mirrors! One of the most underrated albums of the 80's, Crank it Loud!!

Different but good

Done with Mirrors is a good album, don't get me wrong, but it has a much different feel than the albums before and after it. The album was the transition from Aerosmith's 70's sound to their 80's sound. That is why it is not very popular, but it still rocks just as hard as any other Aerosmith album.


Very interesting...


Formed: 1970 in Boston, MA

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Aerosmith were one of the most popular hard rock bands of the '70s, setting the style and sound of hard rock and heavy metal for the next two decades with their raunchy, bluesy swagger. The Boston-based quintet found the middle ground between the menace of the Rolling Stones and the campy, sleazy flamboyance of the New York Dolls, developing a lean, dirty riff-oriented boogie that was loose and swinging and as hard as a diamond. In the meantime, they developed a prototype for power ballads with...
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