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Customer Reviews

Not Phish, Not Supposed to be.

As many of us, I really didnt like ths album at first. However, in retrospect, I believe this response was reactionary to the "non-phish" style which is what the purpose of the album is intended to be. Rather than holding Trey to what people know, reviews should focus on what the music achieves. Upon listening to Shine repeatedly, there are some great rifts and themes. While not a truly defining album, I think it reflects Trey's uncertainty about the music he creates. If you want to listen to phish then buy phish. Trey is another story as much of his solo work has been criticized. Instead, a true appreciation of music comes from not having expectations of a new phase in a arists career and appreciating all the variables that are expressed in the tunes. For example, is Sting's Lute album fantastic or pompous. Probably both. If you dont like it dont listen but dont criticize Trey for attempting to find a new direction.

its not phish

I am a huge phish fan. Me and my dad have several albums of theirs and are always talking about music. You have to remember, that IT IS NOT PHISH. This album is a 4.5 star album easy, but ill give him the benefit of the doubt and say 5 stars.

dont worry

trey live when he was touring this album was insane. he jammed off of most songs for a while -- wherever you find it, tuesday, and of course, shine. the album isnt as sweet. but worth having.


Born: September 30, 1964 in Fort Worth, TX

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Since co-founding the seminal improv rock outfit Phish in 1983, guitarist, composer, and songwriter Trey Anastasio has explored a wide variety of musical pathways ranging from atonal fugues and elaborate charts with Phish to adventurous free jazz on his first solo project, Surrender to the Air (1996), to collaborations with the likes of Tom Marshall, Les Claypool, Philip Glass, Stewart Copeland, and others. After Phish went on long-term hiatus in late 2000, Anastasio focused on a myriad of projects,...
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