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Reseña de álbum

The title of American Legacies is plural because it represents both the legacies of jazz and bluegrass in the identities of its principals, the Preservation Hall Jazz Band and the Del McCoury Band. That makes for a felicitous pairing of traditional Southern styles that leans toward one and then the other, but is at its best when the musicians blend together. The Dixieland horns of the Preservation Hall Jazz Band are in ascendance, for example, in the second-line sound of Hank Williams' "Jambalaya" and "Milenberg Joys," while "You Don't Have to Be a Baby to Cry" is more of a McCoury Band track with the jazz band just piping in here and there in the background. McCoury turns the closer, "One More ‘Fore I Die," into a round of solos, alternating between his own men and the Preservation musicians, and that is when this jazz/country hybrid really works.

Reseñas de usuarios

American Legacies

American roots music at its best...very nice!

Even better in person!

Such a band of characters!

Pure Brilliance!

When the iTunes review stated that the two styles, jazz and bluegrass, "smoothly intertwined," I had no idea that it would be THIS seamless! Let me put it this way... if someone came along who was unfamiliar with both jazz and bluegrass (they would have my pity!) and this was the first album they heard of either, I don't think they'd be able to tell that the two styles haven't been intertwined from the beginning!

Fans of both bluegrass and New Orleans-style jazz will love this album. It never sounds like the two styles are fighting, instead they take turns backing each other up, allowing ample time for both styles to shine but never isolating one style over another. It's a completely natural album, and, on top of that, energetic. Fully recommended!

American Legacies, The Del McCoury Band
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