13 Songs, 46 Minutes

EDITORS’ NOTES

The Liverpool trio Stealing Sheep is influenced by Broadcast, Mice Parade, vintage Krautrock, early-'00s freak folk, and the 1975 film Escape to Witch Mountain. Its 2012 debut album, Into the Diamond Sun, is bountiful with hypnotizing three-part female vocal harmonies, psychedelic jams, and rhythms that click like clockwork. “The Garden” sets the tone with guitarist Emily Lansley, percussionist Lucy Mercer, and keyboard player Rebecca Hawley singing siren harmonies over lysergic guitar leads and alluring analog keyboard tones that would have made the late, great Trish Keenan proud. The trio’s penchant for shape-shifting songs is evident throughout this debut, especially on “Shut Eye,” which grooves angularly on interchangeable foundations and modular arrangements. The band's love for droning tones comes to life in “Rearrange,” which is nicely contrasted by buoyant and playful melodies. Similarly, the demurely cool “White Lies” plays like an homage to United States of America leader Joseph Byrd, while “Genevieve” is the closest that Stealing Sheep comes to accessible indie pop. At nearly 10 minutes, the closer “Bear Tracks” proves to be the most experimental.

EDITORS’ NOTES

The Liverpool trio Stealing Sheep is influenced by Broadcast, Mice Parade, vintage Krautrock, early-'00s freak folk, and the 1975 film Escape to Witch Mountain. Its 2012 debut album, Into the Diamond Sun, is bountiful with hypnotizing three-part female vocal harmonies, psychedelic jams, and rhythms that click like clockwork. “The Garden” sets the tone with guitarist Emily Lansley, percussionist Lucy Mercer, and keyboard player Rebecca Hawley singing siren harmonies over lysergic guitar leads and alluring analog keyboard tones that would have made the late, great Trish Keenan proud. The trio’s penchant for shape-shifting songs is evident throughout this debut, especially on “Shut Eye,” which grooves angularly on interchangeable foundations and modular arrangements. The band's love for droning tones comes to life in “Rearrange,” which is nicely contrasted by buoyant and playful melodies. Similarly, the demurely cool “White Lies” plays like an homage to United States of America leader Joseph Byrd, while “Genevieve” is the closest that Stealing Sheep comes to accessible indie pop. At nearly 10 minutes, the closer “Bear Tracks” proves to be the most experimental.

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About Stealing Sheep

Liverpool trio Stealing Sheep comprised Emily Lansley (guitar, vocals), Rebecca Hawley (keys, vocals), and Lucy Mercer (percussion, vocals) who met in 2010 and formed the band in the city over a cup of tea at the Mello Mello café. The group set about writing and rehearsing that summer and began to produce their haunting psych-folk sound, drenched with otherworldly harmonies, jaunty guitars, and almost tribal, hypnotic beats. With a handful of songs written, the band launched into recording what would become their debut EP, What if the Lights Went Out. They found help in first-time producer Joe Wills, who set a makeshift studio up in a school in Toxteth, Liverpool to record the band’s early compositions. Wills’ valuable input encouraged some experimental techniques and ultimately helped mold their diverse sound.

Citing a variety of influences from Twin Sister to Broadcast alongside Krautrock and freak-folk music, their three-part harmonies and droning synths created a dark and brooding sound that nodded to Efterklang and Mice Parade. Following the release of their second EP, Noah and the Paper Moon, the band began to receive radio play from some of BBC 6 Music’s influential DJs such as Lauren Laverne and Jarvis Cocker. The trio’s innovative vocal interplay took on a bewitching nursery rhyme quality at times, while their three-part harmonies could be equally haunting and beautiful. The single from the EP “I Am the Rain” was recorded during one fleeting midnight visit to Abbey Road studios.

The band was then snapped up in the U.K. by Heavenly Records following the release of their second EP and the radio hype that ensued. They have toured with the likes of St. Vincent, tUnE-yArDs, and Emmy the Great, and “Shut Eye” -- the first fruit from sessions for their debut album -- was released in May 2012, followed later in the year by the full-length Into the Diamond Sun. Not Real, the group's sophomore long-player, arrived in early 2015. ~ Scott Kerr

ORIGIN
Liverpool, England
FORMED
2010

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