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Cogwheel and Meteor are great tracks, both are long, deep, and are both enjoyable to listen to casually as music and dissect as art pieces, and Souvenir in Chicago is an epic behemoth of a track spanning almost half an hour in length and is easily one of my favorite Takemura tracks ever. But let me just say that the title song, Sign, is an ABSOLUTE FACKING MASTERPIECE.It is essentially a straightforward pop song, but executed with classic Takemura flair and influences from his other works- The glitchy, generative sounding piano bits (Water's Suite), The vocorder-generated lyrics (10th), and abstractish keyboard improvisation (Hoshi no Koe) Also, the song has that sonically perplexing weirdness, akin to the music of Matmos, that sometimes makes you wonder whether your listening to a melodic pop song or a John Cage aleatoric piece. This song, if not the whole album, is a worthwhile addition to any music collection, and a must-have for fans of Takemura's music. Get this album immediately.

Sign, Nobukazu Takemura
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