10 Songs, 20 Minutes


Customer Reviews

4.5 out of 5

40 Ratings

40 Ratings

Awesome all around.


Love the movie, the soundtrack etc.
these songs make you feel something.

Surprisingly gorgeous score!


Most recognize the "Wacky" and "Dark" scores from Danny Elfman.. everything from "Beetlejuice" to "Batman" to "Alice IN Wonderland".. but every so often he tackels something different and takes on a new challenge.
"Silver Linings Playbook" has a score that sometimes mimicks a romantic flick.. sometimes a romantic comedy score.. at times sounds like a familiar tune you've heard on the radio or in an elevator or in another film.
It's remarkable in it's simplicity.. it sounds so familiar at times.. like you've heard and loved the music before.. but is a completley original and beautiful set.. to accompany quite an amazing film.

Absolutely stellar soundtrack!


A quick preview listen to this score just does not do Danny Elfman's newest work any justice. It is the clear-cut definition of "simple yet elegant", and it compliments the movie in such an incredible way that I don't think the film -with absolutely no disrespect towards David O. Russell or anyone else that was a part of its production- would have had as much emotional impact without this soundtrack. All of the tracks have similar moods, but together they can fit into any scenario in the movie. Danny Elfman has really proven that he is not limited to Tim Burton movies with this soundtrack; I can't wait to hear what else he comes up with in the future.

This score definitely deserves the nine dollars it's worth. A solid two thumbs up!

About Danny Elfman

Best known for his work in collaboration with director Tim Burton, composer Danny Elfman created one of the most distinctive bodies of work in contemporary film music, bringing his talents to a dark fantasy world populated by superheroes, monsters, and freaks. The son of novelist Blossom Elfman, he was born May 29, 1953 in Amarillo, Texas. Raised in Los Angeles, he and brother Richard relocated to France in 1971, where he joined a theatrical group. Elfman subsequently moved on to Africa, returning to the U.S. only after battling a bout with malaria; he then reunited with Richard, who had directed the 1980 film The Forbidden Zone and asked Danny to compose the score. Assembling a band dubbed the Mystic Knights of Oingo Boingo, Elfman recorded the movie's soundtrack. Abbreviated to simply Oingo Boingo, the group remained a going concern following the project's completion, later earning a significant cult following during the new wave era.

In 1985 Elfman met fledgling filmmaker Burton; after collaborating on the score to the hit Pee-Wee's Big Adventure, they reunited frequently in the years to come, with Elfman composing the music to later Burton projects including Beetlejuice, Edward Scissorhands, Mars Attacks! and the Grammy-winning Batman. In 1993, he also scored the Burton-produced Nightmare Before Christmas, dubbing the vocals of the animated musical's lead character Jack Skellington. Outside of Tim Burton's sphere of influence, Elfman also scored a number of other features in the '80s and '90s, most of them strange fables such as Darkman, Dick Tracy, Army of Darkness, and The Frighteners. His 1997 scores for the drama Good Will Hunting and that summer's biggest box office hit, Men in Black, garnered his first Academy Award nominations. Among his television work was his Emmy-nominated theme for The Simpsons and Emmy-winning theme for Desperate Housewives.

In addition to his marriage to actress Bridget Fonda in 2003, the new century brought continued professional accolades, among them new Burton collaborations. Another Academy Award nomination resulted from his work on Burton's 2003 film Big Fish, and the two partnered for other projects including but not limited to 2005's The Corpse Bride and 2010's Alice in Wonderland. In the meantime, he released a symphony on Sony Classical in 2006 titled Serenada Schizophrana, and earned his fourth Academy Award nomination for Gus Van Sant's Milk in 2009.

His steady workload also included 2012's Silver Linings Playbook, 2013's American Hustle, and 2015's genre-diverse Fifty Shades of Grey, Avengers: Age of Ultron, and Goosebumps. The 2016 sequel Alice Through the Looking Glass marked Elfman's 17th Tim Burton feature. That year also saw Sony Classical release his original music for the ballet Rabbit & Rogue, which had premiered at the Metropolitan Opera House in 2008, as well as his score for the film thriller The Girl on the Train. The following year, he stayed busy delivering the scores for such high-profile films as Fifty Shades Darker and Justice League, the latter of which cracked the Billboard 200. ~ Jason Ankeny & Marcy Donelson




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