16 Songs, 46 Minutes

EDITORS’ NOTES

Released in 1956, Odetta’s debut album heralded both the folk boom of the ‘60s and the early stirrings of the civil rights movement. Beyond its place in history, this album remains a work of uncommon emotional and artistic power. Odetta’s astoundingly deep voice and dramatic phrasing owes as much to the operatic style of Paul Robeson as it does to the raw blues of Leadbelly. Her renditions of “Deep Blue Sea” and “’Buked and Scorned” are at once stately and shiver inducing. Odetta puts aside her theatrical training to deliver tunes like “Another Man Done Gone” and “God’s Gonna Cut You Down” with a raw, wailing fervor. Whether she’s essaying a Western folk ballad like “Santy Anno” or catching the lilt of Caribbean music in “Shame and Scandal,” she treats her material with respect and insight. Most of all, it’s the sound of her singing that’s inescapably moving, especially when she interprets African-American spirituals like “Glory, Glory” and “Oh Freedom.” Sings Ballads and Blues went on to influence a generation of folk artists and to inspire those who fought for equality in the South and beyond. The album’s prophetic message still resonates a half-century on.

EDITORS’ NOTES

Released in 1956, Odetta’s debut album heralded both the folk boom of the ‘60s and the early stirrings of the civil rights movement. Beyond its place in history, this album remains a work of uncommon emotional and artistic power. Odetta’s astoundingly deep voice and dramatic phrasing owes as much to the operatic style of Paul Robeson as it does to the raw blues of Leadbelly. Her renditions of “Deep Blue Sea” and “’Buked and Scorned” are at once stately and shiver inducing. Odetta puts aside her theatrical training to deliver tunes like “Another Man Done Gone” and “God’s Gonna Cut You Down” with a raw, wailing fervor. Whether she’s essaying a Western folk ballad like “Santy Anno” or catching the lilt of Caribbean music in “Shame and Scandal,” she treats her material with respect and insight. Most of all, it’s the sound of her singing that’s inescapably moving, especially when she interprets African-American spirituals like “Glory, Glory” and “Oh Freedom.” Sings Ballads and Blues went on to influence a generation of folk artists and to inspire those who fought for equality in the South and beyond. The album’s prophetic message still resonates a half-century on.

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About Odetta

One of the strongest voices in the folk revival and the civil rights movement, Odetta was born on New Year's Eve 1930 in Birmingham, AL. By the time she was six years old, she had moved with her younger sister and mother to Los Angeles. She showed a keen interest in music from the time she was a child, and when she was about ten years old, somewhere between church and school, her singing voice was discovered. Odetta's mother began saving money to pay for voice lessons for her, but was advised to wait until her daughter was 13 years old and well into puberty. Thanks to her mother, Odetta began voice lessons when she was 13. She received a classical training, which was interrupted when her mother could no longer afford to pay for the lessons. The puppeteer Harry Burnette interceded and paid for Odetta to continue her voice training.

When she was 19 years old, Odetta landed a role in the Los Angeles production of Finian's Rainbow, which was staged in the summer of 1949 at the Greek Theatre in Los Angeles. It was during the run of this show that she first heard the blues harmonica master Sonny Terry. The following summer, Odetta was again performing in summer stock in California. This time it was a production of Guys and Dolls, staged in San Francisco. Hanging out in North Beach during her days off, Odetta had her first experience with the growing local folk music scene. Following her summer in San Francisco, Odetta returned to Los Angeles, where she worked as a live-in housekeeper. During this time she performed on a show bill with Paul Robeson.

In 1953, Odetta took some time off from her housecleaning chores to travel to New York City and appear at the famed Blue Angel folk club. Pete Seeger and Harry Belafonte had both taken an interest in her career by this time, and her debut album, The Tin Angel, was released in 1954. From this time forward, Odetta worked to expand her repertoire and make full use of what she has always termed her "instrument." When she began singing, she was considered a coloratura soprano. As she matured, she became more of a mezzo-soprano. Her experience singing folk music led her to discover a vocal range that runs from coloratura to baritone.

Odetta's most productive decade as a recording artist came in the 1960s, when she released 16 albums, including Odetta at Carnegie Hall, Christmas Spirituals, Odetta and the Blues, It's a Mighty World, and Odetta Sings Dylan. In 1999 she released her first studio album in 14 years, Blues Everywhere I Go. On September 29, 1999, President Bill Clinton presented Odetta with the National Endowment for the Arts' Medal of the Arts, a fitting tribute to one of the great treasures of American music.

The next few years found Odetta releasing some new full-length albums, including Livin' with the Blues and a collection of Leadbelly tunes, Looking for a Home. She toured North America, Latvia, and Scotland and was mentioned in Martin Scorsese's 2005 documentary, No Direction Home. That same year Odetta released Gonna Let It Shine, which went on to receive a 2007 Grammy nomination for Best Traditional Folk Album. In December 2008, she died of heart disease in New York. ~ Philip Van Vleck

HOMETOWN
Birmingham, AL
BORN
December 31, 1930

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