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Walk Among Us

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Reseña de álbum

The Misfits' 1982 debut full-length, Walk Among Us, rapidly became a legendary effort of U.S. punk, the more so because it so willfully violated many rules which were already ironically straitjacketing the scene. Utterly devoid of political confrontation or social uplift, embracing a costume sense that might have given Kiss pause and generally coming across like the horror-movie nightmares they looked like on the cover, the Misfits just wanted to entertain and do their own thing — and that they did, brilliantly. Nearly every song on the album — 13 total, delivered in a light-speed 25 minutes — is a twisted classic, with the band's trademark '50s/'60s melodies run through a punk/metal meatgrinder on full display. The higher-budget (in very relative terms) recording meant a slightly cleaner and brighter sound all around, but nothing about Walk Among Us is slick, especially in commercial 1982 terms. One song title says it all: "All Hell Breaks Loose." Danzig's gift for creepy, strong, and attractively dark singing was long since established and he uses it brilliantly, making the over-the-top lyrics all the more enjoyable, while Doyle, Jerry Only, and Arthur Googy kick out the jams on Danzig's songs big time — check out "Hatebreeders," "Violent World," and the crazed "Skulls." Everything ends with the giddily ridiculous "Braineaters," in which the chanting voices of the band bemoan their constant diet of cerebella and ask for intestines instead, but the real freaked-out highlight comes smack dab in the middle with "Mommy Can I Go Out and Kill Tonight." Taken from the show that made up the Evilive release, it starts out on the edge and, after Danzig delivers the title sans instruments, turns into an explosion of rhythm and feedback that should have killed everything within 50 feet of the amps.

Reseñas de usuarios

Amazing Album from the Misfits in 81

When I saw that they finally got Walk Among Us on Itunes I rushed to give it a good rating because it is extremely worthwhile. This album is the blueprint, and what every horror punk group should aspire to be like. Though I for one dislike a very few number of the songs the album is overall both greatly influential on the punk scene and has way WAY more good than bad. If you for some reason don't feel like buying the entire album (which I don't see why you shouldn't) make sure to at least buy Astro Zombies and Skulls. So yeah this album really rocks hard and is a very good contender to Static Age (which happens to be my favorite Misfits album right now) I really wish Danzig would bring Jerry to his senses and they could make a good old Misfits album again.

Clean?

Probaly, my favorite hardcore punk album of all-time. Some of you complain of it being clean, I'm still hearing a variant of a certain four-letter word in Astro Zombies.

Classic!

The Misfits are my favorite band of all time, and this is their best album. An absolute classic, beginning to end. The best song is Astro Zombies, in my opinion, but they're all terrific.

Biografía

Se formó en: 1977 en Lodi, NJ

Género: Rock

Años de actividad: '70s, '80s, '90s, '00s, '10s

Genuinely shocking or tasteless, campy fun? It was sometimes hard to tell which way the Misfits wanted to be taken, and the immense cult following that has grown up in the years after their actual existence (1977-1983) seems divided in its own assessment. It certainly wasn't the Misfits' musicianship — which was as crude as the recording quality of most of their oeuvre — that endeared them to so many, although Glenn Danzig possessed one of the most distinctive and tuneful bellows in hardcore...
Biografía completa
Walk Among Us, The Misfits
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