14 Songs, 28 Minutes

TITLE TIME PRICE
1 1:49 Album Only
2 0:49 Album Only
3 1:39 Album Only
4 2:16 Album Only
5 2:01 Album Only
6 2:31 Album Only
7 2:30 Album Only
2:22 Album Only
1:45 Album Only
10 1:29 Album Only
11 2:21 Album Only
12 1:50 Album Only
13 2:52 Album Only
14 2:30 Album Only

Customer Reviews

5 out of 5

5 Ratings

So far so good!

Ezjlas,

This is a great start to a hopefully great album! I'll do a review once the whole thing comes out. Municipal Waste is like if DRI and Suicidal Tendencies had a baby, locked it in a room for 10 years with only hardcore punk albums to entertain itself with.

Good

RatedMForMichael,

Yes more thrash metal

About Municipal Waste

From choosing a name that makes them sound like some sort of urban public works department, to their music itself, Richmond, VA's Municipal Waste openly bow down to the memory of '80s thrash metal and crossover -- twenty years after, and a few hundred miles away from the original movement's heyday in New York City. Led by picturesquely named vocalist Tony "Guardrail" Foresta, Municipal Waste played their first show on New Year's Eve 2001, then spent the next few years working on demos, recording the odd EP and split release, and juggling musicians until solidifying its membership around Guardrail, guitarist Ryan Waste and bassist Land Phil. Veteran drummer Dave Witte (ex-Human Remains, Burnt by the Sun, Agoraphobic Nosebleed, etc.) joined their ranks shortly after the band signed with Earache Records and recorded 2004's Waste Em All with producer Corey Smoot (aka Flattus Maximus of GWAR). The album was instantly embraced by discerning metal fans for its retro-tastic revival, received overwhelmingly positive reviews, and landed Municipal Waste supporting slots on tours with Converge and the Red Chord. Late 2005 saw the unveiling of the band's equally impressive sophomore effort, Hazardous Mutation, which helped them break big across Europe, and resulted in even more touring opportunities. Two years later, the group once again returned to the studio with producer Zeuss (Hatebreed, Shadows Fall, etc.), and emerged with their third irreverent opus, The Art of Partying. Massive Aggressive dropped in 2009, followed in 2012 by The Fatal Feast, their first outing for Nuclear Blast. The band tapped bassist Land Phil to handle the engineering of their sixth studio long-player, 2017's Slime and Punishment, again released via Nuclear Blast. ~ Eduardo Rivadavia

  • ORIGIN
    Richmond, VA
  • GENRE
    Rock

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