41 Songs, 2 Hours, 34 Minutes

TITLE TIME
3:12
3:10
4:00
2:36
3:27
2:44
2:46
4:32
2:55
2:42
4:52
3:24
4:30
2:37
4:22
4:28
4:14
3:59
5:02
4:46
4:24
2:49
7:11
1:44
3:53
2:33
3:30
3:46
3:21
5:10
3:07
5:12
2:53
3:05
5:06
2:49
3:40
3:10
4:30
4:23
4:16

Customer Reviews

4.1 out of 5

17 Ratings

17 Ratings

Fabulous!

mackcat,

Although her voice is young in many of these recordings, it is a glimpse into what Janis Ian would become and is today. I personally love "Pro-Girl", because it is so provocative for a young girl, but she sings it with such heart, it seems like a real-life message to someone. Amazing work from an amazing artist

A Gem!

'THE DOCTOR',

This collection is for true janis ian fans like me. She may be young on these recordings but if you listen carefully, you can hear her style and how she uses her voice on different songs. Of course 'society's child' is the highlight of this collection, but if you listen to the haunting 'there are times' you will hear the future grown up version of janis ian; kudos for her at such a young age and not be afraid to tackle a song like 'there are times' that deal with wanting to give up on your life. There are many hidden gems here so I would suggest you to take a listen, and keep an open mind while you are listening, and listen to these songs that developed ms. ian's style over the years. Thank you itunes for having it here.

No offense

Xtreme Terminator,

I needed society's child for my English class I personally don't like Janis Ian but that's just me no offense to her or her fans

About Janis Ian

A singer/songwriter both celebrated and decried for her pointed handling of taboo topics, Janis Ian enjoyed one of the more remarkable second acts in music history. After first finding success as a teen, her career slumped, only to enter a commercial resurgence almost a decade later. Janis Eddy Fink was born on April 7, 1951, in New York City. The child of a music teacher, she studied piano as a child and, drawing influence from Edith Piaf, Billie Holiday, and Odetta, wrote her first songs at the age of 12. She soon entered Manhattan's High School of Music and Art, where she began performing at school functions. After adopting the surname Ian (her brother's middle name), she quickly graduated to the New York folk circuit.

When she was just 15, she recorded her self-titled debut; the LP contained "Society's Child (Baby I've Been Thinking)," a meditation on interracial romance written by Ian while waiting to meet with her school guidance counselor. While banned by a few radio stations, the single failed to attract much notice until conductor Leonard Bernstein invited its writer to perform the song on his television special Inside Pop: The Rock Revolution. The ensuing publicity and furor over its subject matter pushed "Society's Child" into the upper rungs of the pop charts, and made Ian an overnight sensation.

Success did not agree with her, however, and she soon dropped out of high school. In rapid succession, Ian recorded three more LPs -- 1967's For All the Seasons of Your Mind, 1968's The Secret Life of J. Eddy Fink, and 1969's Who Really Cares -- but gave away the money she earned to friends and charities. After meeting photojournalist Peter Cunningham at a peace rally, the couple married, and at age 20, she announced her retirement from the music business. The marriage failed, however, and she returned in 1971 with the poorly received Present Company. After moving to California to hone her writing skills in seclusion, Ian resurfaced three years later with Stars, which featured the song "Jesse," later a Top 30 hit for Roberta Flack.

With 1975's Between the Lines, Ian eclipsed all of her previous success; not only did the LP achieve platinum status, but the delicate single "At Seventeen" reached the Top Three and won a Grammy. While subsequent releases like 1977's Latin-influenced Miracle Row, 1979's Night Rains, and 1981's Restless Eyes earned acclaim, they sold poorly. Ian was dropped by her label and spent 12 years without a contract before emerging in 1993 with Breaking Silence (the title a reference to her recent admission of homosexuality), which pulled no punches in tackling material like domestic violence, frank eroticism, and the Holocaust. Similarly, 1995's Revenge explored prostitution and homelessness. Two years later Ian returned with Hunger; God & the FBI followed in the spring of 2000. A live set, Working Without a Net, appeared from Rude Girl Records in 2003, and a DVD, Live at Club Cafe, saw release in 2005. Folk Is the New Black appeared as a joint release from Rude Girl and Cooking Vinyl in 2006. ~ Jason Ankeny

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