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Solo Acoustic, Vol. 2 (Live)

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Reseña de álbum

Jackson Browne gave listeners the first volume of his solo acoustic live performances in 2005. It was steeped in the gems from his rich catalog, presented with spoken word introductions to many of his best-known songs with a smattering of newer ones. The commentary got tiring in the CD format, but the music was impeccable and illustrated just how valuable he's been to American music as a songwriter. This second volume, while it does the same thing, is — in a manner — a mirror image of the first. The songs here are primarily from his later years. What's really interesting is that it doesn't matter. Browne's later songs communicate so directly that, presented in this manner, with only an acoustic guitar or a piano as accompaniment, we can find ourselves wandering around in reverie, or re-glimpsing the traces of emotion and time's passage as signposts to the way we live now. While there are a few "classic" tracks — "Redneck Friend," "Something Fine," and "Somebody's Baby" (from the Fast Times at Ridgemont High soundtrack) — most of the material here comes from records after Hold Out. There are three tunes from his last studio offering, the generally ignored and underrated Naked Ride Home, which stack up seamlessly with his '70s material. Those tunes, "The Night Inside Me," "Casino Nation," and "My Stunning Mystery Companion," grace the beginning, middle, and end of this offering. In other words, no matter where else Browne goes (and he goes all the way back to "Something Fine"), he returns to the present tense, where he now exists as a songwriter. The performances of these tracks, and those from albums such as Looking East, I'm Alive, World in Motion, and Lives in the Balance, offer listeners an opportunity to hear Browne at his most elemental. His songs began this way, with a lone instrumental backing, as a melody dictating itself to words or vice versa, and were hammered out or came in the flush of white-heat creativity, but they were shorn of any adornment — just as they are here. The spoken introductions to several numbers are overly long and may have been fine for a sitting audience, but don't necessarily translate well to CD. That's a small complaint, however, as these 12 songs are quietly powerful, full of a particular craft and enigmatic gifts — no matter when they were written or recorded. Browne has never lost it as a songwriter; this is the proof. If you went to the trouble to purchase the first volume, this is an essential counterpart.

Reseñas de usuarios


This album may have fewer "well known" songs than Volume I, but each song on Volume II is a gem. I'm only 20, but I'm a Jackson Browne fan for life. JACKSON BROWNE ROCKS!

Two is Better Than One

Jackson Browne's second addition to his solo acoustic tour is "Something Fine!" His acoustic versions are so much more intimate than his studio work. This is a must have for all Browne fans, and if you can't decide if you want to spend $10 on me you do!

A Teenager's Perspective

I'm 16 years old, and Jackson Browne is my favorite singer. Most JB fans are a generation older than I am, but he can still appeal to teenagers! I especially love Sky Blue and Black, and this live version is excellent! Great album!


Nacido(a): 09 de octubre de 1948 en Heidelberg, Germany

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

Jackson Browne fue en muchos sentidos el prototípico cantautor californiano de principios de los '70. Sólo Joni Mitchell y James Taylor estaban a la par en términos de influencia, pero ninguno de ellos se sumergió en el zeitgeist post '60 como Browne. Aunque la mayor parte de su memorable producción de la década del ‘70 fue extremadamente personal, sirvió como piedra angular para una generación de baby boomers que estaban llegando a la adultez. Sus introspectivas letras...
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