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Merman sings Merman/Ethel's Ridin' High

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Album Review

In the early 1970s, Ethel Merman, then in her 60s and having retired from the musical stage after 40 years on the boards, went to London and made three albums for the London and Decca labels, two of which, Merman Sings Merman and Ethel's Ridin' High, have been combined on this CD reissue. (This is not the first time that has happened, either. Eclipse Records has a disc called Merman Sings Merman ... and More [844 086-2] that contains the same material.) On Merman Sings Merman, Merman did what she had done more than once before: re-record some of her best-known stage songs in the recording studio. She betrayed some vocal deterioration, particularly with regard to her vibrato, but she was still able to hit her notes and hold them, particularly the long notes in "I Got Rhythm," the song that had made her a star back in 1930 in Girl Crazy. By the time of Ethel's Ridin' High, she had largely gone through her existing catalog, although a few more of her oldies were included ("Gee, But It's Good to Be Here" from Happy Hunting, "Some People" from Gypsy, and "Ridin' High" from Red, Hot and Blue!). So, she cut a couple of songs from the '20s ("Whispering" and "Someone to Watch Over Me") and otherwise filled up the album with tunes from '60s musicals in which she did not appear. These turn out to be the most interesting performances on the album, if only because Merman is not known for them. She could hardly have portrayed Don Quixote on-stage, but "The Impossible Dream" is her kind of anthemic number; the only problem is that the dream doesn't sound remotely impossible when she sings about it. Similarly, "On a Clear Day You Can See Forever" is ideal for her clarion style. On the other hand, "What Kind of Fool Am I" seems unconvincing, if only because she lacks the kind of self-doubt (if not the self-regard) for which it calls. But her "Sunrise, Sunset" makes you think maybe she could have played the wife in Fiddler on the Roof, if they enlarged the part and gave her some of Tevye's numbers, that is!

Customer Reviews

5 star review - by Noiney

Never in your life will you hear such an annoying bag of hot air. I recommend it highly, just so you can go to your grave with the ability to say, "yes, I've heard Ethel Merman". Sometimes something is so bad, so annoying, that it ends up SLIGHTLY entertaining - this is that THING !!!!

Everything's Coming Up Roses!

This is an excellent series of songs by Ethel and I would highly recommend it. Lyrics by Irving Berlin, Cole Porter and Gershwin, it doesn't get much better than Ethel re-recording many of the songs that she introduced during the peak of her Broadway and movie career. Ethel hits the notes and the arrangements really frame Ethel's voice very well! Bravo and enjoy!

It's the top!

It's the Merm and her great personality. Wouldn't miss it for the world!


Born: January 16, 1908 in New York, NY [Astoria]

Genre: Vocal

Years Active: '30s, '40s, '50s, '60s, '70s, '80s

Ethel Merman was the leading American musical theater performer of her generation, creating roles in 13 Broadway musicals between 1930 and 1959, and continuing to appear in shows occasionally through 1970. Her clarion voice and exact enunciation were perfect for an era when a stage performer was required to sing loud enough to be heard at the back of the theater without amplification. That made her a favorite of the leading songwriters of the day, and she introduced some of the most memorable songs...
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