17 Songs

EDITORS’ NOTES

Defying easy categorization, veteran French-Chilean rapper Ana Tijoux interweaves a veritable United Nations’ worth of multicultural influences on Vengo. Reconnecting with the trenchant fire she displayed on 2009’s La Bala, Tijoux branches off into a broad range of topics that touch on themes of love, dignity, and brotherhood. Borders between genres melt away as the tracks find common ground among rap, Latin, jazz, R&B, and indigenous South American sounds. Tijoux slings rhymes with a masterful sense of flow, augmented by her soulful singing on tracks like “No Mas” and “Oro Negro.” The crisp ‘n’ funky “Los Peces Gordos No Pueden Volar” celebrates motherhood with a light yet knowing heart. Elsewhere, the tone is more intense, with “Somos Todos Erroristas” (featuring producer Hordatoj) and “Delta” (spotlighting DJ Niel) standing out for their insistent thrust. Vengo’s substantial lyrical content is matched by adventuresome musical moves, ranging from the use of Andean flutes on the title track to the Jamaican dub touches on “Mi Verdad.” Tijoux negotiates these twists and turns with admirable confidence.

EDITORS’ NOTES

Defying easy categorization, veteran French-Chilean rapper Ana Tijoux interweaves a veritable United Nations’ worth of multicultural influences on Vengo. Reconnecting with the trenchant fire she displayed on 2009’s La Bala, Tijoux branches off into a broad range of topics that touch on themes of love, dignity, and brotherhood. Borders between genres melt away as the tracks find common ground among rap, Latin, jazz, R&B, and indigenous South American sounds. Tijoux slings rhymes with a masterful sense of flow, augmented by her soulful singing on tracks like “No Mas” and “Oro Negro.” The crisp ‘n’ funky “Los Peces Gordos No Pueden Volar” celebrates motherhood with a light yet knowing heart. Elsewhere, the tone is more intense, with “Somos Todos Erroristas” (featuring producer Hordatoj) and “Delta” (spotlighting DJ Niel) standing out for their insistent thrust. Vengo’s substantial lyrical content is matched by adventuresome musical moves, ranging from the use of Andean flutes on the title track to the Jamaican dub touches on “Mi Verdad.” Tijoux negotiates these twists and turns with admirable confidence.

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Customer Reviews

4.5 out of 5

71 Ratings

Mar

Guillermo Mar,

Con las venas abiertas vengo

Fantastic!

Hasta la victoria, siempre!,

Incredible as always, Ana Tijoux's lyrics shine through with socially conscious music

About Ana Tijoux

Ana Tijoux is French-Chilean songwriter, singer, MC, and recording artist who is well known for her willingness to confront social injustice and for her commitment to nonviolence. Born in France, she is the daughter of two Chilean exiles who left during the rise of the oppressive Pinochet regime during the military coup of 1973. Born in 1977, Tijoux began to rap and dance at the age of 11, before moving back to Chile in 1993. In 1995, she formed her first rap group, Los Gemelos with Zaturno, another Chilean MC. She also collaborated with the popular act Los Tetas and later formed the popular hip-hop crew Makiza, with Zaturno, DJ Squat, and others; they issued their independently released debut, Vida Salvaje, in 1997. The act signed to Sony in 1998 and issued Aerolineas Makiza in 1999. The album was a remake of their debut, with better production and some new material added to the mix, including the single "La Rosa de los Vientos," which became a hit. Makiza split in 2000.

In 2003, Tijoux cut the hit single "Lo Que Tu Me Das" in duet with Julieta Venegas. She then moved back to France briefly, where she cut the solo single "Santiago Penando Estas," which appeared on a tribute album for Chilean composer, writer, and artist Violeta del Carmen Parra Sandoval; the album charted in both Chile and France. In 2004, Tijoux and Seo2 re-formed Makiza with new collaborators. They recorded and released Casino Royale in 2005. The reunion was short-lived.

In 2006, Tijoux decided to pursue a solo career in earnest. She cut the single "Ya No Fue," but her debut album was never released. She collaborated with Venegas again in 2007 on the track "Eres Para Mi," which appeared on the latter's hit album Limon y Sal. Later that year, Tijoux cut another album entitled Kaos for the independent Oveja Negra. The set's first single, "Despabilate," was a hit and she was nominated for Best New Artist and Best Urban Artist at the Latin MTV Awards; she and Venegas were also nominated for Song of the Year. Tijoux abandoned Latin pop (and singing, for the most part) for her next album, the breakthrough back-to-hip-hop set 1977, which was released in 2009 and established her as a fierce MC. It was critically and commercially successful. The album was picked up for distribution by major independent Nacional Records and re-released in 2010, with the title track becoming its first hit. She followed this with the self-released Elefant Mixtape in 2011, and the album La Bala, which was also released by Nacional Records in 2012. It became an international smash. Tijoux received a Grammy nomination for the album in the Best Latin Rock, Urban or Alternative Album category. That same year, Tijoux's "1977" was featured in a season four episode of Breaking Bad.

The artist spent most of 2013 recording her follow-up, a provocative mix of soulful, horn-heavy, funky cumbia, throwback hip-hop, neo-soul, and Andean folk. She even reprised singing on a couple of cuts. Vengo was released in March of 2014. ~ Thom Jurek

  • ORIGIN
    Lille, France
  • BORN
    Jun 12, 1977

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