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Home Movies from the Brainforest

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Album Review

Jazzy drum'n'bass is hardly the full story on Mocean Worker's debut album. From the darkside noir of "American Tabloid" (a James Ellroy tribute) to the excellent roots/standards homage on the evocative "Summertime/Sometimes I Feel Like a Motherless Child," Dorn pulls off a minor masterpiece of the field. And the drum programming — usually an afterthought with album-oriented junglists — shines throughout, including on the highlights "What's Wrong" and "Overtime."


Genre: Electronic

Years Active: '90s, '00s, '10s

The ranks of jazzy drum'n'bass swelled considerably with the debut of Mocean Worker, the recording alias of eclectic producer Adam Dorn. Dorn's father, Joel, was one of the stalwart producers at Atlantic Records during the 1960s and '70s, helming sessions by Coltrane and Mingus as well as pop records like Roberta Flack's "Killing Me Softly," Bette Midler's debut album, and the Allman Brothers' Idlewild South. Adam, a bass player and vocalist, studied at Berklee College of Music and worked extensively...
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Home Movies from the Brainforest, Mocean Worker
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