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iTunes Review

Though Lee Perry has made brilliant music at all stages of his career, the years between the opening of the Black Ark studio in 1973 and its 1979 closure found the Jamaican producer operating at his creative peak. During this period he cut some of the most revered reggae full-lengths of all time, with artists like the Congos, Junior Murvin, Max Romeo, and others. He also produced a slew of wildly experimental dub sides that carved a new role for the producer as musician, arranger, and organizer of sound. These tunes originally appeared as dub plates, pressed in limited quantities and distributed among the operators of Kingston soundsystems for use in the dancehalls. They are, if anything, even more wildly experimental than what appeared on Perry’s officially released dub full-lengths. Indeed, many of these cuts are mind-bendingly strange. Take “Chim Cherie," a loose instrumental workout yoked to the heavily treated rhythm of a primitive drum machine, or “Roots Train Number Two,” a spaced-out take on Junior Murvin’s “Roots Train Number One” that dubs the original into cosmic oblivion.

Customer Reviews

Don't download this!!

I love Lee Perry and was excited to listen but to my disappointment I am stuck with an album full of half-songs. The tracks are all 3 to 4 minutes long but around the half-way mark, there is nothing there and it jumps to the next track. This happened 4 days ago and iTunes has done nothing to help me.




Born: March 20, 1936 in Hanover, Jamaica

Genre: Reggae

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Some call him a genius, others claim he's certifiably insane, a madman. Truth is, he's both, but more importantly, Lee Perry is a towering figure in reggae -- a producer, mixer, and songwriter who, along with King Tubby, helped shape the sound of dub and made reggae music such a powerful part of the pop music world. Along with producing some of the most influential acts (Bob Marley & the Wailers and the Congos to name but two) in reggae history, Perry's approach to production and dub mixing was breathtakingly...
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