19 Songs, 1 Hour, 36 Minutes

EDITORS’ NOTES

From hippie enchantress to AOR hitmaker to enduring pop icon, Stevie Nicks has gone through a host of permutations since the mid-‘70s. Crystal Visions (2007) is the latest and best attempt to anthologize her 30-plus year recording output. After her fruitful stint with Fleetwood Mac, Nicks matured into an astute rock craftsperson, able to grow beyond her folk/country beginnings and adapt to the trends of the 1980s and ‘90s. Whatever her adjustments in style, her lyric obsessions with magic (“Rhiannon,” ”Sorceress”) and romantic disappointment (“Dreams,” “I Can’t Wait”) have remained constant. And if her voice has lost some of the waif-like delicacy of her early years, it’s gained a deep, throaty luster with time, as her cover of Led Zep’s “Rock And Roll” shows. From her duets with Tom Petty (“Stop Draggin’ My Heart Around”) and Don Henley (“Leather And Lace”) to live symphony-backed versions of “Landslide” and “Edge Of Seventeen,” Crystal Visions gives a sampling of the height and breadth of her music. The absence of original Fleetwood Mac tracks is an obvious weak spot here, but as an overview of Nicks as singer, songwriter and image-shifting celebrity, this collection more than satisfies.

EDITORS’ NOTES

From hippie enchantress to AOR hitmaker to enduring pop icon, Stevie Nicks has gone through a host of permutations since the mid-‘70s. Crystal Visions (2007) is the latest and best attempt to anthologize her 30-plus year recording output. After her fruitful stint with Fleetwood Mac, Nicks matured into an astute rock craftsperson, able to grow beyond her folk/country beginnings and adapt to the trends of the 1980s and ‘90s. Whatever her adjustments in style, her lyric obsessions with magic (“Rhiannon,” ”Sorceress”) and romantic disappointment (“Dreams,” “I Can’t Wait”) have remained constant. And if her voice has lost some of the waif-like delicacy of her early years, it’s gained a deep, throaty luster with time, as her cover of Led Zep’s “Rock And Roll” shows. From her duets with Tom Petty (“Stop Draggin’ My Heart Around”) and Don Henley (“Leather And Lace”) to live symphony-backed versions of “Landslide” and “Edge Of Seventeen,” Crystal Visions gives a sampling of the height and breadth of her music. The absence of original Fleetwood Mac tracks is an obvious weak spot here, but as an overview of Nicks as singer, songwriter and image-shifting celebrity, this collection more than satisfies.

TITLE TIME
5:29
4:35
4:54
4:07
4:02
4:45
3:46
7:01
4:34
4:10
4:14
4:48
4:45
4:03
3:54
9:14
5:45
18 4:18
19 8:27

About Stevie Nicks

Of all the singer/songwriters to emerge from the '70s, few embody the contrast of confidence and vulnerability like Stevie Nicks. Born in Arizona, where she learned country duets with her grandfather as a child, Nicks (along with her then-partner, singer/guitarist Lindsey Buckingham) went on to help transform Fleetwood Mac from a British blues band into one of the most influential pop groups of all time. She brought a sense of softness and sophistication to rock music at a time when it was still primarily considered the province of youth culture. Her best-known turns with Fleetwood Mac—"Rhiannon," "Dreams," "Landslide"—proved that pop could be both feminine and powerful, earthbound yet mystical. Nicks helped close the distance between our notions of artist and star–and inspired a generation of women from Madonna and Courtney Love to Taylor Swift and Beyoncé to do the same. For as accessible as they are, Nicks’ songs are also symbolic, even mythological, springing from what seem like a world lurking somewhere beyond our own: Her 1981 solo debut, Bella Donna, mixes a rootsy, unvarnished sound with images of demons, dreams, mountains, and doves—an especially perceptive blend for an era when spirituality and self-realization were creeping into the mainstream. Ultimately, though, it's Nicks' connection to—and evocation of—the dualities and subtleties of womanhood that define her music: “My mission maybe wasn’t to be a mom and wife,” she reflected in an interview with ABC’s Downtown. “Maybe my particular mission was to write songs to make moms and wives feel better.”

HOMETOWN
Phoenix, AZ
GENRE
Rock
BORN
May 26, 1948

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