23 Songs, 1 Hour 17 Minutes

EDITORS’ NOTES

The Force is as strong as ever in John Williams’ writing for orchestra. His mix of classical influences hasn’t changed—why mess with film-scoring perfection?—but he’s found new ways to make the melange sing. The marching aggression of brass instruments during “Attack on the Jakku Village” has an appropriately Mahlerian grandeur, while a Debussy-like flute cavorts intriguingly through “The Scavenger.” And when it comes to choreographing battles in space, as with “Scherzo for X-Wings,” Williams’ talent remains unmatched.

Mastered for iTunes

EDITORS’ NOTES

The Force is as strong as ever in John Williams’ writing for orchestra. His mix of classical influences hasn’t changed—why mess with film-scoring perfection?—but he’s found new ways to make the melange sing. The marching aggression of brass instruments during “Attack on the Jakku Village” has an appropriately Mahlerian grandeur, while a Debussy-like flute cavorts intriguingly through “The Scavenger.” And when it comes to choreographing battles in space, as with “Scherzo for X-Wings,” Williams’ talent remains unmatched.

Mastered for iTunes
TITLE TIME

Ratings and Reviews

4.5 out of 5
1.8K Ratings
1.8K Ratings

Can Not Wait

mdbchud

It's John Williams and Star Wars. NO doubt it will be wonderful. CAN. NOT. WAIT!!!!!

So excited!

smendoff

Can't wait to get this, but that's the only problem. It's released the same day as the film. I wish it was released sooner, but whatever.

High on Star Wars

JasonsCreamy

Not only does the movie come out on the 18th, but so does the soundtrack and the art of book......I'm dying

About John Williams

You can hum a John Williams theme the minute you leave the movie theater, and you'll probably still be humming it decades later. Case in point: It took just two menacing notes for the legendary New York–born composer to help launch the blockbuster era with his suspenseful score for Jaws—and kick off a subsequent decades-long partnership with its director, Steven Spielberg. But it was the majestic fanfare he penned for Star Wars two years later that really introduced his richly musical but instantly catchy style. Reviving the grandeur of classic Hollywood orchestras, Williams evoked wonder with an intensity to rival any mind-blowing visual effect, while also infusing all that slam-bang-pow onscreen action with surprisingly poignant emotion. He added the perfect swell of tear-inducing strings during E.T.'s indelible farewell scene, coaxed the exotic thrills of classic Saturday matinee serials with his swashbuckling cues for the Indiana Jones series, and engendered a palpable sense of play and adventure in the early Harry Potter films. While his influence still dominates today's superhero epics and intergalactic adventures, Williams has also tackled stories plucked from history's most harrowing chapters, bringing the appropriate gravitas to the unimaginable horror of the Holocaust (Schindler's List) or the political turmoil of the Civil War (Lincoln).

HOMETOWN
Flushing, NY
BORN
February 8, 1932

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