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Steady Pull

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Album Review

Continuing her standing as an independent artist, Jonatha Brooke kicks off the millennium with Steady Pull, the second release on her own Bad Dog Records. Steady Pull is at once both inspiring and upsetting. The inspiration is easy to glimpse; it's a wonderful record, smart and catchy, interesting and fresh. The frustration lies not with Brooke, but with the music industry's lack of support for her and similar artists. What kind of cultural climate dictates that the musical and lyrical sophistication that makes Brooke such a brilliant artist may very well keep her from having mass appeal? Much like adult alternative radio's failure to survive in many markets, it is a sad commentary on the state of music at the turn of the millennium, and a large disappointment for fans and artists who love this genre.

Nevertheless, Brooke pursues her clever muse with passion and vigor, not letting up one iota in her quest to be a most literate songsmith. She has always penned tunes that danced just outside the box with poetic lyrics, creative arrangements, and complex chord progressions. Steady Pull pulls no punches in that regard, going further in musical experimentation that her previous efforts. The first track and single, "Linger," is as straightforward pop as you're going to get from Brooke. It's honest to goodness, verse chorus, tap your toe, bob your head, sing right along pop. But it's just a tease. On the very next song she mixes it up, testing the powers of digital editing, loops, and sampling. Then there's the title track, which leans toward a soulful groove, thumping with the bass of Marcus Miller. Oh that Jonatha. Now, you might notice that she sings quite a bit about dresses. Don't question, just enjoy. Both "Red Dress" and "New Dress" are great songs.

Brooke also keeps good company; the two noted guest vocalists, Michael Franti and Neil Finn, couldn't have been better chosen, as both are known for their abilities to craft intelligent compositions that are rather overlooked by the masses. And, as far as the musicians go, these guys are all top-notch, including Val McCallum, John Pierce, Davey Faragher, and more. Brooke and Steady Pull deserve the same kind of fierce support in the marketplace as they had in the studio.

Customer Reviews

The iTune Review is DEAD ON!

Jonatha Brooke is the most underrated and underappreciated singer song-writer on the planet. Pick up this album and play it ten times in a row and see if it's even possible to stop playing it ten more. It's that good!

Jonatha Brooke deserves better

How come more people don't know about this musical genius? I have followed Jonatha from her earlier days with The Story and her recordings done with the major labels are excellent, but now that she has her own label, she's able to express her muse to the max. Ten stars would be more like it. Buy this album if you have any appreciation for music. There's NO WAY that you'll be disappointed.

Talent deserving greater recognition...

Steady Pull is the finest album you've never heard of and Jonatha is one of the hidden gems in music today. Is it any wonder that the music industry is losing billions when they ignore artists who can produce such gems as Linger, Digging, and Steady Pull? I have listened to this album hundreds of times and it's always a wonderful experience. Buy it and listen to it from beginning to end, at least once - no shuffle. You'll be glad you did.

Biography

Born: January 23, 1964 in Illinois

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Singer/songwriter/guitarist Jonatha Brooke began issuing albums that merged folk and pop during the early 1990s, first as a member of a female duo named the Story and later as a solo artist. Brooke formed the Story (originally called "Jonatha & Jennifer" during the duo's early years) along with another vocalist, Jennifer Kimball, who attended Massachusetts' Amherst College with Brooke in the early '80s. Despite playing regular local gigs during their college career, the girls never issued any...
Full Bio