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Stepping Out

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Album Review

Krall's first recording remains an eye and ear opener. Without the overt schmaltz, Krall proves a sincere singer and, more so, a fine pianist whose talent in this area would later become sublimated. If you want to hear not only the roots of Krall's jazzier and romantic side, not to mention the fun, you'll get it all on this remastered CD, with a bulletproof rhythm section of the peerless bassist John Clayton and always on-the-money/in-the-pocket drummer Jeff Hamilton. The program contains several songs that have become Krall's signature tunes. "Straighten Up & Fly Right" is typically cute as she nicely modifies the lyric. "Frim Fram Sauce" is easily swung and wittily rendered. Several standards such as the easy swinging, bluesy "I'm Just a Lucky So & So" with its impressive bridge piano or the straight read of "Do Nothin' 'Til You Hear From Me" seem like child's play. She uses delayed, staggered phrasings with energetic pianistics during "As Long As I Live," jumps in more pronounced and driving tones for "This Can't Be Love," and cleverly deviates from the melody in now typical Krall-ian fashion for the previously unreleased "On the Sunny Side of the Street." She's most convincing on the unaccompanied take of the classic "Body & Soul" and goes into semi-classical mode with Clayton's bowed bass during her lone original "Jimmie." There are two instrumentals: "42nd Street" swings very well with flourishes inserted here and there on a slight re-arrange, while Klaus Suonsaari's (not Charlie Parker's) "Big Foot" sports heavy modal introductory chords, impressive stop starts on a blues strut, and the most interaction during this set. Krall's fans should consider this an essential recording in her growing discography, and perhaps in many ways her best. ~ Michael G. Nastos, Rovi

Customer Reviews

The Real Thing.

It seems to me that nobody knows what real "jazz" is anymore. I isn't just singing standards. Jazz is less what you are singing, more how you realize it. It is just another performance practice. On this album, her first album, she encompasses the whole thing, she gives the song a new feel, she sings the melody as written, she alters the melody line, they have solos. Real jazz, not just somebody with a smooth voice singing Irving Berlin with seventh chords and calling it jazz. It definately ups my respect for Ms. Krall.

Pure Krall

An excellent intro into Diana Krall's fine talents as a singer/pianist. This Album is pure and clean. No fluffy Orchastra or inflated arrangements. Recording quality and production is near flawless. This has quickly become my favorite Diana Krall purchase.


Her voice is mesmerizing and captivating to say the least. It is easy to fall in love with her voice and heartfelt music. Enjoy!


Born: November 16, 1964 in Nanaimo, British Columbia, Canada

Genre: Jazz

Years Active: '80s, '90s, '00s, '10s

With her pre-bop piano style, cool but sensual singing, and fortuitously photogenic looks, Diana Krall took the jazz world by storm in the late '90s. By the turn of the century she was firmly established as one of the biggest sellers in jazz. Her 1996 album, All for You, was a Nat King Cole tribute that showed the singer/pianist's roots, and since then she has stayed fairly close to that tradition-minded mode, with wildly successful results. Krall got her musical education when she was growing up...
Full Bio