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Sunny Border Blue

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Album Review

In her solo career, Kristin Hersh alternates between acoustic-based work like Hips and Makers and spiky, Throwing Muses-esque punk-pop. Sunny Border Blue, her fourth officially released effort, is considerably folkier than its predecessor, Sky Motel, but borrows enough of its rock vitality to avoid Strange Angel's sluggishness. Unfortunately, the album doesn't quite escape the slightly samey quality of Hersh's work since the Muses' 1996 album Limbo — a few too many songs share tempos, melodies, and moods to make this a great Kristin Hersh album, but it's still a very good one that her longtime fans will appreciate. Hersh's gift for crafting fascinating and often disturbing lyrics remains; even relatively weak songs suggest intriguing stories with lines like "Candyland"'s "It's like this boy took all my clear cold nights/Left me hot and dry/And when he falls, I can't hear it." Musically, piano and brass flourishes give the album a more fleshed-out, dynamic sound than some of Hersh's previous solo work; impressively, she played virtually all of the instruments on Sunny Border Blue herself. Much of the album seems more like a suite than a collection of songs; winding, hypnotic folk-pop tracks like "Flipside" and "Silica" almost feel like different movements of a larger work. However, the rolling opener "Your Dirty Answer" showcases Hersh's husky, slightly raw vocals; the understated yet gripping "37 Hours" rivals any of the songs on Hips and Makers; and the slightly countrified cover of Cat Stevens' "Trouble" is another of Sunny Border Blue's highlights. The beautifully fractured pop song "Ruby" may be the most luminous moment, though frustratingly, it comes near the album's end. But it's "Spain," a seemingly gentle ballad that turns furious, that recalls the mercurial spark that initially ignited Hersh's music. It's not an entirely successful song, but it's a glimmer of excitement and unpredictability from an artist who used to define those words.

Customer Reviews

Probably her best solo work

I believe most people find Hips and Makers to be Kirstin's best solo cd. I certainly love that one as well. She began to experiment with her sound with Sky Motel, and Sunny Border Blue sort of hits the sweet spot between the pure acoustic and experimental sounds. This is a masterpiece in my mind. There some dark songs on this one, in particular Candyland and Listerine. House Tornado is the stand out throwing muses cd, and for me at least, Sunny Border Blue is the stand out cd for Kristin.

My favorite Kristin Hersh

With every listen it gets better and better. She is an amazing storyteller who can set the tone with her vocals - soft and sweet to rough and acidic.

Almost classic

I hate Your Dirty Answer. However every other song is a gem.


Born: August 7, 1966 in Atlanta, GA

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

After the release of Throwing Muses' fifth album, Red Heaven, Kristin Hersh, the band's lead singer/songwriter, took a break from the group and issued her first solo album, the acoustic Hips and Makers, in early 1994. Thanks to the airplay the single "Your Ghost" -- a duet with R.E.M.'s Michael Stipe -- received, the album sold more copies than any of the Muses' releases. Later that year, Hersh also released the Strings EP, which featured versions of selected songs from the album recorded with a...
Full Bio