35 Songs, 2 Hours, 28 Minutes

EDITORS’ NOTES

In the span of a barely over a year composer John Williams forged the Hollywood film music equivalent of the Triple Crown via Star Wars, Close Encounters and this rich orchestral elegy for director Richard Donner's take on the comic world's Man of Steel. Williams' Oscar-nominated score bristles with a heroism that's the equal of his work for George Lucas' space operas, yet finds considerable soul in the heart-stirring themes that evoke the grace of Superman's flight and bittersweet romance with Lois Lane. Williams' triumphant "Superman March" remains nothing less the musical heart of the entire franchise, an epochal symphonic touchstone that's so indelible it inspired a whole new generation of filmmakers to use it in reviving the superhero's legacy nearly three decades later.

EDITORS’ NOTES

In the span of a barely over a year composer John Williams forged the Hollywood film music equivalent of the Triple Crown via Star Wars, Close Encounters and this rich orchestral elegy for director Richard Donner's take on the comic world's Man of Steel. Williams' Oscar-nominated score bristles with a heroism that's the equal of his work for George Lucas' space operas, yet finds considerable soul in the heart-stirring themes that evoke the grace of Superman's flight and bittersweet romance with Lois Lane. Williams' triumphant "Superman March" remains nothing less the musical heart of the entire franchise, an epochal symphonic touchstone that's so indelible it inspired a whole new generation of filmmakers to use it in reviving the superhero's legacy nearly three decades later.

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5:29
6:40
7:52
2:21
2:28
2:34
3:24
4:51
9:17
2:11
4:47
5:55
3:20
2:13
2:47
4:24
4:36
3:48
3:36
1:34
8:13
0:50
3:23
2:21
3:26
4:55
4:52
5:11
2:06
5:42
5:05
2:58
8:10
2:56
4:24

About John Williams

You can hum a John Williams theme the minute you leave the movie theater, and you'll probably still be humming it decades later. Case in point: It took just two menacing notes for the legendary New York–born composer to help launch the blockbuster era with his suspenseful score for Jaws—and kick off a subsequent decades-long partnership with its director, Steven Spielberg. But it was the majestic fanfare he penned for Star Wars two years later that really introduced his richly musical but instantly catchy style. Reviving the grandeur of classic Hollywood orchestras, Williams evoked wonder with an intensity to rival any mind-blowing visual effect, while also infusing all that slam-bang-pow onscreen action with surprisingly poignant emotion. He added the perfect swell of tear-inducing strings during E.T.'s indelible farewell scene, coaxed the exotic thrills of classic Saturday matinee serials with his swashbuckling cues for the Indiana Jones series, and engendered a palpable sense of play and adventure in the early Harry Potter films. While his influence still dominates today's superhero epics and intergalactic adventures, Williams has also tackled stories plucked from history's most harrowing chapters, bringing the appropriate gravitas to the unimaginable horror of the Holocaust (Schindler's List) or the political turmoil of the Civil War (Lincoln).

HOMETOWN
Flushing, NY
BORN
February 8, 1932

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