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Sweet Tea

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Editors’ Notes

Even though it was released on the British rock label Silvertone, Buddy Guy’s 2001 album Sweet Tea is in fact a tribute to the Oxford, Mississippi-based label Fat Possum. Best known for recording and promoting a host of unknown and highly idiosyncratic old blues guitarists from backwoods Mississippi, Fat Possum’s mission was to undermine the traditional blues scene, which by the '90s had become codified and highly gentrified. In a way, the Fat Possum artists posed a challenge to name brand players like Guy, but “Baby Please Don’t Leave Me” and “She’s Got the Devil In Her” are powerful examples of Guy’s ability to embrace the feral aesthetic of Fat Possum without mimicking its artists. The guitarist does a manful job of interpreting Junior Kimbrough’s hypnotic groove with “Stay All Night” and “Tramp,” but he also pays tribute to T-Model Ford’s thrashing runs with the violent “Look What All You Got.” It’s hard to believe a smooth operator like Guy could handle the idiosyncrasies of Robert Cage, CeDell Davis and R.L. Burnside, but the proof is in Sweet Tea.

Customer Reviews


Stripped down and dirty, Buddy Guy checked his over-the-top stage show act at the door for this one. This is a Masterpiece.

Stay all night and play the blues

Once again The king of Chicago Blues puts out an excellant album, but this is not Buddy's classic west side blues that most of us know and love. Buddy travels way back and way down south to explore the Mississippi Hill country blues and let me tell you he nails it.Buddy puts his own spin on these classics with loud guitars gritty bass and great vocals. Once you pop this sucker in you are transported to another world way back in the woods. Check this one out!!


Grabs you by the guts! I can't stop listening to this guy. Great guitar sound, and great stories, so buy it already!!!!


Born: July 30, 1936 in Lettsworth, LA

Genre: Blues

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Buddy Guy is one of the most celebrated blues guitarists of his generation (and arguably the most celebrated), possessing a sound and style that embodied the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll. Guy spent much of his career as a well-regarded journeymen, cited as a modern master by contemporary blues fans but not breaking through to a larger audience, before he finally caught the brass ring in the 1990s and released a series of albums that made...
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