11 Songs, 35 Minutes

EDITORS’ NOTES

Tom Rush began his career as a Cambridge, Mass., folk singer with a penchant for the blues, while the bulk of his later career has been built on his impeccable ear for the songs of singer/songwriters. This 1966 album is the most unusual of his studio records. It starts with Rush in full-out rocker mode, breaking out of his warm baritone for the swagger of Willie Dixon's "You Can't Tell a Book by Its Cover," Chuck Berry's "Too Much Monkey Business," and Bo Diddley's "Who Do You Love." Rush's inclusion of great R&B and early rock 'n' roll makes for surprisingly convincing performances from a man best known for his restraint. Rush's folk influences fill out the album, with sweet, forlorn takes of "Joshua Gone Barbados" and "Turn Your Money Green" and the acoustic blues of "Galveston Flood." (It wouldn't prepare anyone for his 1968 release The Circle Game, where Rush zeroed in on the changes in pop and folk music with an authoritative delivery that would make his talents legendary.)

EDITORS’ NOTES

Tom Rush began his career as a Cambridge, Mass., folk singer with a penchant for the blues, while the bulk of his later career has been built on his impeccable ear for the songs of singer/songwriters. This 1966 album is the most unusual of his studio records. It starts with Rush in full-out rocker mode, breaking out of his warm baritone for the swagger of Willie Dixon's "You Can't Tell a Book by Its Cover," Chuck Berry's "Too Much Monkey Business," and Bo Diddley's "Who Do You Love." Rush's inclusion of great R&B and early rock 'n' roll makes for surprisingly convincing performances from a man best known for his restraint. Rush's folk influences fill out the album, with sweet, forlorn takes of "Joshua Gone Barbados" and "Turn Your Money Green" and the acoustic blues of "Galveston Flood." (It wouldn't prepare anyone for his 1968 release The Circle Game, where Rush zeroed in on the changes in pop and folk music with an authoritative delivery that would make his talents legendary.)

TITLE TIME
3:35
3:25
2:14
2:20
2:51
3:32
4:11
2:24
3:49
1:58
5:19

About Tom Rush

With his warm and slightly world-weary baritone voice, solid acoustic guitar playing, and gifted if hardly prolific songwriting skills, Tom Rush was one of the finest and most unsung performers to come out of the '60s urban folk revival.

Born February 8, 1941 in Portsmouth, New Hampshire, Rush began his performing career in 1961 while attending Harvard University (where he majored in English literature), and he soon became a regular on the east coast folk circuit. A careful, unhurried songwriter, he was also a fine song interpreter, and had a knack for finding just the right song from new songwriters, being the first to introduce work from then-new songwriters like Joni Mitchell, James Taylor, Jackson Browne, Murray McLauchlan, William Hawkins, and David Wiffen, among others, and found ways to breathe new life into any number of traditional folk, country, and blues numbers, as well. In a five-decade career that has been steady and consistent but hardly lived out in the public spotlight, Rush has recorded a little less than 20 albums, several of them live sets -- a spare output given the length of his recording career, but it is a sturdy legacy by anyone's measure, with at least one of his compositions, the resigned and bittersweet "No Regrets" from 1968, standing as an acknowledged classic in the folk field. To highlight a half century as a performing artist, Rush released Celebrates 50 Years of Music, a live CD and DVD set drawn from a show held at Boston Symphony Hall in December 2012. ~ Steve Leggett

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