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Free At Last

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Album Review

Almost five years after releasing a near-classic rap debut, Freeway finally gets his second shot, and there's some unsurprisingly frank talk about his surroundings not being identical. Since Philadelphia Freeway's early 2003 release, there was the Damon Dash/Jay-Z Roc-A-Fella rift, so Free addresses that, despite it being old news. He was, after all, caught in the middle and did not switch labels. Then there's "It's Over," which could be the first track to mention the producer not responsible for its beat; in fact, both Just Blaze (who produced ten Philadelphia Freeway tracks) and Kanye West (who chipped in with two) are saltily put on blast for either not getting back or being too busy. Throw in a deepened relationship with 50 "Somewhat Responsible for Mobb Deep's Blood Money" Cent, who replaces Dash's role as co-executive producer, as well as what could be perceived as an enthusiasm shortage on the part of the Roc-A-Fella/Def Jam family, and Free at Last has all the makings of a disappointment — a release destined to slide off everyone's radar within a couple weeks of release. "Oh, yeah, Freeway eventually put out that second album...Free Again, or something?" The album is not the least bit deserving of that fate. Even with the amount of expectation-lowering context heavy on the mind, Free at Last sounds like a very strong follow-up. Apart from the 50 feature "Take It to the Top," with a light and frilly production that is absolutely the worst fit for Free's gruff and pop-unfriendly voice, there are no obvious points of weakness — unless, of course, Free's lack of vocal versatility is something to gripe about. His "boa constrictor flow" can still be taxing (or even immediately off-putting to some ears) across the course of an album, and it is apparent that Nice & Smooth would consider him a lost cause for their MCing class, but his intelligible grunts and rasps are just as commanding and riveting as any other MC's arsenal. With a pilgrimage to Mecca also in his recent past, the dichotomy between his threat/boast-based rhymes and more reflective side is greater than it was on Philadelphia Freeway, and it isn't at the expense of toughness — take, for instance, "I will squeeze and leave your spleen on the outside." He is a sharper, more vivid lyricist, and it can also be sensed that he has done everything in his power to make up for all that lost time. And it must be said that his as-common-as-ever exultations of "Early!" — practically a tic at this point — are more perplexing and amusing than ever.

Customer Reviews

Free At Last Delivers

This is one of the best albums of the year. Roc-A-Fella Billionaires is a hit, automatically. He has a few but some real good guest appearances and he carries the weight on his solo songs. Great album

It's about time

Freeway almost fell off for a second there. Now he's back with a new album with fresh beats, new songs and hot artists! Fans of Jay-Z or Roc-a-fella recs should cop this.

Free At Last Good Gosh Oh Mighty Free At Last!!!

Words can not explain how great this album turned out!!! I will admit i didnt think Freeway was coming out with another album, any time soon anyway. This album is and was worth the wait. This is up to par with Kanye West and Jay-Z's recent releases and shows that Jay-Z is doing his damn "day job" right. The promotion for this album isn't were it should be but true fans of the Roc and Freeway will NOT be dissapointed with this album. Trust me. I went to Target to buy this today and it was sold out around 2:30pm. Something that i definately would not expect from Freeway. Freeway stepped his lyrical game way up on this album and if i had to compare his past rival Cassidy's (The Problem, The Hustla, B.A.R.S, or whatever the hell he calls himself now) album to this one... Freeways album puts his to shame. I know your tired of me rambling, just do your CD player, home theatre system, iPod, and PC a favor and buy this album. As always much love...peace!!!


Born: July 8, 1979 in Philadelphia, PA

Genre: Hip-Hop/Rap

Years Active: '00s, '10s

Freeway fast became a valuable member of the Roc-a-Fella family in the early 2000s. His ascent can be traced back to an agreement he made with fellow Philadelphia native Beanie Sigel. Acquaintances from the same local nightclub, the two shared admiration for one another and made a pact: the one who first landed a record deal would pull the other along. Sigel got the tap first and stayed true to his word; Freeway made his first major appearance in 2000, on "1-900-Hustler" -- a track on Jay-Z's Dynasty...
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Free At Last, Freeway
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Customer Ratings


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