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Causey Vs. Everything

Causey Way

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Album Review

This is a peculiar listen. One gets the distinct feeling that there is a message being advanced here, but it's nebulous at best. Is Causey Way a cult, or do they simply borrow the trappings of computer-age coltishness and stitch them into their new wave-ish rock quilt. Though certainly not the first indie rock band to do that, Causey Way adds a few flourishes, and a different flavor icing to that cake. Artsy cultishness aside, Causey Vs. Everything's greatest strength — above the Nico meets B-52's female vocals, Devo-esque keyboards, and creepy surf guitar (think Klaus Flouride of the Dead Kennedys) — is the locked-down rhythm section; the sharply focused, oddly hard-rocking drumming. And what's best about that is the perfectly organic quality of the drums. One often finds bands of this ilk — those that hearken back to the repetitive, stiff droning of Krautrock — giving in, usually due to inability, to synthetic drumming, whether computer generated or via a drum machine. Causey Way, thankfully, is blessed in that area. It's a creepy record; weirdness certainly abounds.

Biography

Genre: Alternative

Years Active: '90s, '00s

Similar to a sci-fi Danielson Familie or a religiously-inclined Servotron, the Causey Way is a five-piece new wave/punk group that blends noisy synth-pop with cult-like propaganda. The band has released singles on labels like What Else and Put It on a Cracker, and put out their debut album With Loving And Open Arms, in 1999 on Alternative Tentacles. The Testimony EP...
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Causey Vs. Everything, Causey Way
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