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She Wants Revenge

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Album Review

Los Angeles Joy Division-obsessed duo She Wants Revenge blend electronic beats with goth pop misery on their self-titled Geffen debut. DJs Justin Warfield and Adam "Adam 12" Bravin may have crafted the post-punk equivalent of XTC alter-egos Dukes of Stratosphear's psychedelic rock tribute Chips from the Chocolate Fireball, but there is suspicion as to whether or not it was intentional. Like fellow reanimators Interpol, the Bravery, or even the mysterious Lansing-Dreiden, She Wants Revenge love early Depeche Mode, Bauhaus, and pre-Land of Rape and Honey Ministry, but what makes their impeccably crafted, highly listenable/danceable collection of angst so dubious is its utter duplicity. There's nothing wrong with honoring your influences by copping a few moves and singing in a fake British accent like Green Day with the intentions of updating a genre that many potential listeners are too young to have experienced first-hand, but it's another thing to do it without even the slightest deviation.

Customer Reviews

Great album; if you like the band.

Haven't met many people who are familiar w She Wants Revenge... But for those who do, this album really does illustrate the talent of the band. Granted, for those who aren't as focused on lyrics as they are the sound... This probably isn't a good buy. But for those who are lyrically focused... This band has a fantastic way of telling very detailed, very real stories. They can be light or dark in theme but always original! I really enjoy the band for this reason.

Have a listen!

AHS!

AHS!! 2016!! STILL AWESOME!

Biography

Formed: 2003 in Los Angeles, CA

Genre: Alternative

Years Active: '00s, '10s

Los Angeles DJs Justin Warfield and Adam "Adam 12" Bravin formed the moody, Joy Division-inspired She Wants Revenge in 2003. A fortuitous combination of word of mouth, industry connections, and airplay on Sirius Satellite Radio and West Coast airwave giant KCRW provided the duo with enough exposure to snag a record deal with Geffen, resulting in a 2006 self-titled release that drew comparisons to Interpol, early Depeche Mode, and the Bravery, as well as their aforementioned eternally depressed post-punk...
Full Bio
She Wants Revenge, She Wants Revenge
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