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After the Storm

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Album Review

In the mid-'90s, Mojazz — the contemporary jazz imprint of Motown — was the place to turn for the best examples of the ways funk meets more creative improvisations. Norman Brown is one of the genre's brightest lights — a George Benson type whose stirring fluidity makes magic with an edge Benson never had. Many of the tracks on After the Storm are formulaic, mid-tempo gems, but Brown adds zest to even the most typical groove with a lightning fast style that jumps off the disc. The Janet Jackson and Luther Vandross covers are fine, but better are more unique originals like "Trashman," "Take Me There," and others that use acoustic guitar and trumpet. As solid as this stuff gets.

Customer Reviews

This is as Good As It Gets

This is simply a wonderful guitar record with melodies that sing. Norman Brown is one of the best in the Biz. His guitar playing is far from simple with such expression and emotion. I also like Marc Antoine, Shane Isenberg and Chuck Loeb.

Out of this World

Being a George Benson fan for years is refreshing to hear other guitar players come out on that same way of playing, and then just take off like rockets. Norman has that old sound, that old flavor that so many people love, but he also have this distinctive sound that you never get tire of hearing. I-tunes, you guys nail it with this one, Thanks...

After The Storm

I knew I like this guys music years ago but wasn't sure what I'd heard. I bought the first two songs After the Storm and Take Me There thinking I liked them. Then after playing them all the way through I was thrilled, As they were much better than the samples. I'm going to get more tracks from this guy. I think Trashman will be next.


Born: December 18, 1970 in Kansas City, MO

Genre: Jazz

Years Active: '90s, '00s, '10s

Kansas' Norman Brown is a hugely successful guitarist with a warm, yet technically adroit approach to smooth jazz and instrumental R&B. Born in Kansas City, Brown first became interested in the guitar at age eight, when he grew fond of his brother's acoustic six-string. He was initially influenced by such guitar-based acts as Jimi Hendrix and the Isley Brothers, but once he discovered one of his father's favorite guitarists, Wes Montgomery, everything changed. Rather than play, for instance, material...
Full Bio
After the Storm, Norman Brown
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Customer Ratings