The Crystal Method by The Crystal Method on Apple Music

11 Songs

EDITORS’ NOTES

Delayed in part due to Scott Kirkland’s brain surgery, this self-titled release has an urgency and sense of celebration that’s also been the duo’s raison d’etre since 1997’s Vegas set them apart. Kirkland and Ken Jordan are dancefloor veterans for a reason; they know how to interpolate new sounds without discarding what fans love about them. Guest singers like Dia Frampton and LeAnn Rimes suggest a diva-pop accessibility that does make “Over It” and “Grace,” respectively, work considerably well as songs and not just tracks (though prepare for the remixes!). Found sounds, samples, elementally sequenced synths, and growling basslines still dominate their approach, but for a duo celebrating their 20th anniversary together, they’re still challenging themselves by working with the likes of Franky Perez (Scars on Broadway), Nick Thayer, Afrobeta, and mau5trap artist Le Castle Vania. Yet there’s still plenty of meat on the bone for the duo’s own works (“Emulator,” “110 to the 101," and “Jupiter Shift”) to shift from the clubs to outer space and back with little change in direction.

EDITORS’ NOTES

Delayed in part due to Scott Kirkland’s brain surgery, this self-titled release has an urgency and sense of celebration that’s also been the duo’s raison d’etre since 1997’s Vegas set them apart. Kirkland and Ken Jordan are dancefloor veterans for a reason; they know how to interpolate new sounds without discarding what fans love about them. Guest singers like Dia Frampton and LeAnn Rimes suggest a diva-pop accessibility that does make “Over It” and “Grace,” respectively, work considerably well as songs and not just tracks (though prepare for the remixes!). Found sounds, samples, elementally sequenced synths, and growling basslines still dominate their approach, but for a duo celebrating their 20th anniversary together, they’re still challenging themselves by working with the likes of Franky Perez (Scars on Broadway), Nick Thayer, Afrobeta, and mau5trap artist Le Castle Vania. Yet there’s still plenty of meat on the bone for the duo’s own works (“Emulator,” “110 to the 101," and “Jupiter Shift”) to shift from the clubs to outer space and back with little change in direction.

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About The Crystal Method

L.A.'s Crystal Method were referred to as America's answer to the Chemical Brothers. A dance-based electronic duo with a definite rock band feel, the comparison seemed appropriate, although it tended to erase what made the group distinct: a solid base in American hip-hop, rock, soul, and pop. Formed in 1993 by Ken Jordan and Scott Kirkland, Crystal Method was the longest-running stop in a string of projects that led them from their native Las Vegas (and some forgettable four-track stabs at vocal house music), to the early-'90s L.A. rave scene. Drawn in by its youthful idealism, Jordan and Kirkland became absorbed by L.A.'s underground club culture and began knocking out tracks inspired by their experiences. On the strength of one of their demos, Crystal Method signed to Steve Melrose and Justin King's City of Angels imprint in 1994, and their debut single, "Keep Hope Alive," appeared soon after. The title was in reference to L.A.'s waning rave scene (burdened by constant police pressure and a string of random violent incidents) and became something of an anthem due to the endless barrage of remixes and alternate versions that appeared.

The pair's demand to be taken seriously as a band (as opposed to the enforced anonymity of most techno acts, and something of a new concept for American dance producers) extended to incessant live performances, and Crystal Method's increasing popularity both in the clubs and among radio jocks led to a deal with Geffen affiliate Outpost Recordings in 1996. The group's debut LP, Vegas -- an unabashed party record bathed in acid, funk, rock, and big beat hip-hop -- appeared in mid-1997 and sold very well. The follow-up Tweekend was released four years later, and the duo inaugurated a series of mix albums, titled Community Service, in 2002. Third album Legion of Boom followed in 2004, and their soundtrack to the film London landed a year later. In 2006 released Drive. The mix was made to accompany any aspiring athlete's workout session and was re-released on CD in 2008 with four bonus tracks. In 2009, they released Divided by Night, the first album to be recorded at the duo's state-of-the-art recording studio, Crystalwerks. A self-titled, fan-funded album -- one that embraced their role in the development of EDM -- arrived in 2014. ~ Sean Cooper

  • ORIGIN
    Los Angeles, CA
  • FORMED
    1993

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