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The Day Is My Enemy

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iTunes Review

Described by principal producer Liam Howlett as “an attack,” The Prodigy’s sixth studio album is a blast of gritty, two-fisted aggression from the pioneering electronic outfit. The opening title cut, “The Day Is My Enemy,” combines 10-ton synths with sternum-rattling breakbeats, while the appropriately titled “Nasty” is a dizzying rush of devilish melody and radioactive production. Elsewhere, the closer, “Wall of Death,” finds frontman Keith Flint spitting familiar streams of venom over the unrelenting crunch of piston-like guitars and spooky atmospherics.

Customer Reviews

The Day Is My Enemy

This track is MASSIVE. I cannot wait for the rest of the album. As a diehard fan, I was slightly concerned by Nasty, but The Day Is My Enemy is so good! Prodigy for album of 2015!

The reason I I started listening to electronic music !!

It's what I've been waiting for!
Well done guys!

How it should be done

At a time when electronic music is going generic and rather mainstream, The Prodigy comes back with a record that is not only hard and heavy, but also punishing. Growing up in the 90’s, their music was a breath of fresh air in a realm of dreaming bubblegum techno. It seems even after the age of dubstep and million dollar DJs, The Prodigy can show us that electronic music can be experimental, Disturbing and unbelievably aggressive.


Formed: 1990 in Braintree, England

Genre: Electronic

Years Active: '90s, '00s, '10s

The Prodigy navigated the high wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live experience that approximated the original atmosphere of the British rave scene even while leaning uncomfortably close to arena rock showmanship and punk theatrics....
Full Bio
The Day Is My Enemy, The Prodigy
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